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previously on Dumbgeons and Dragons.

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I thought he was like human-sized.

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I thought it was just like a big person.

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Like little Dalek or whatever they are.

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I just feel like it's maybe meant to be.

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Well, you could just say, sounds cool, let's do it.

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It doesn't always have to be like a Destiny thing.

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Well, it's my De-

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Yeah, okay, I see.

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It's Destiny to go over Roblox's ass.

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You're looking down through this portal at the Earth from space.

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Hold on, I'm not shook.

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I think, I don't even know these are portals.

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They could just be pretty pictures.

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Hey, then you're not shook.

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I'm not shooketh.

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Can't shakeeth me.

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Hey, Moot, you're shooketh.

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I'm shook.

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Alright.

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Sky has got Moot shook.

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With its...

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Ugh, lost it already.

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Welcome to Dumbgeons and Dragons.

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Flashback, flashback, flashback.

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I'm your dungeon master, Russ More.

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He, him, also with me today is Tom Laird.

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Hey, that's me, he, him.

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I am playing Moot.

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He also goes by he, him.

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And, Damey More.

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Oh, it sounded like Damey More, and I would now like to be called Dame Amy More.

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Dame Amy More.

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Yes, and I play she, her, and I play Sullivan Sleight.

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He, him.

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And, Carla Maxx did.

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She, her, playing Glim, also she, her.

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Welcome to part two of our one-shot.

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We know how to play games.

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That's the true Dungeons way.

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What you didn't think was important, we thought was entirely, like, essential.

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We hope you enjoyed it.

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Well, I mean, you're still here, so you must have enjoyed the first part.

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And so we'll keep it, we'll keep it rolling here.

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They're here going, like, I wonder when they're gonna start playing.

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When are they gonna get to the fireworks factory?

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They figured it out in the first ten minutes.

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Where's the rave?

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There better be a fucking rave in here.

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But because this is a flashback, and because it's a regular episode,

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and because you've joined us on Patreon, maybe?

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Patreon.com slash dumpdragoncast.

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We'd love for you to come join us over there.

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When you are a patron, you get an episode dedicated to you, like today's patron,

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Jordan Kempf.

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Thanks, Jordan.

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I really thought there was gonna be more to your last name.

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Also, I'm sorry about the way Russ said that.

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It seemed like...

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Yeah, I wasn't laughing at your name, I was laughing at Russ' way he said it.

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No, I'm not saying you mispronounced it.

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I'm just saying you...

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And, like, you were gonna try to add more to it.

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Yeah, well, I was just drawing out the obviously most important letter for emphasis.

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Yes.

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You are awesome. Thank you so much for being a patron.

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Yes, Jordan, you are great.

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Join us today at Patreon.com slash dumpdragoncast.

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Now fuck it, let's play!

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Existential crisis!

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Existential crisis! Space! Space!

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Butt monsters!

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What?

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No, while you went up the butt of a machine monster.

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We are in turn the butt monsters of this story.

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Absolutely the butt monsters.

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If that confused you because it wasn't an accurate retelling of what happened, go back and listen to the episode.

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Or if you didn't listen to part one, yeah.

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Then it really doesn't make sense.

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But we are the butt monsters.

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Thank you very much.

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This is all canonical, too.

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Credit where credit is due.

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They were named the Destiny's Children or Destiny's Children, now the butt monsters.

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I like it.

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Saviors of the world!

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So we're on the fourth floor now.

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We're on fourth floor, ding!

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Fourth floor, space and unfinished projects.

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Can I touch stuff?

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I just want to, is there any, let me see.

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Don't you want to just take?

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I mean I don't see any signs that say don't touch.

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I kind of just want to put something in a...

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I'm just going to watch through this door here.

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You want to take stuff?

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No, I want to put something through the, through, I want to...

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You still almost said it's a butt!

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I, no...

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Portal is just an anus to another place.

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Oh, I mean, okay, well then I guess

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I want to put something

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through the anus to another place.

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Okay.

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Let's do it. What are we putting through the anus to another place?

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Get it together, Hillip.

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This is for science.

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Okay, hold on. Remember, like, just moments ago

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we were like, we should probably just blow right past this

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because we're at the very beginning of what is this.

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Nope, can't.

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No!

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Because those were the coherent thoughts of people

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in Dumbgeons Downtime.

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That's right.

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Now we're playing the game.

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Now we're playing and it's time to make weird decisions.

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Welcome to our TED Talk on how to turn a one-shot

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into four episodes.

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Sully hands glim a wrench.

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Yeah, this is like really big and I think would have

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like a very satisfying heave to it

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as you throw it through the hole.

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Yeah, go ahead and yeet that on through.

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Yeet it through the anus.

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So I'm going to

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put it not to the one

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looking at the planet, but the one that's just looking

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at the sky.

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Because there's two, right?

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Anything you put through this portal magnifies

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by like 100,000.

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You actually ended up hurdling

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an enormous wrench into

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the planet.

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What if it was small?

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I don't know the physics of

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Faerun.

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It gains

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some sort of speed.

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It becomes some sort of

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like...

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Russ is losing it.

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This is the quickest conclusion to a two-part one-shot.

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I kill the whole population of the entire

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planet.

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It's a massive station.

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It's a real butterfly effect we got going on here.

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Okay, yeah.

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It goes through the anus.

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Does it feel satisfying?

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Does it make a noise?

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Guys, that's not the sound

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I expected.

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When Merv

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was pulled through the portal

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and sucked through it, it didn't make that noise.

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Oh, that was

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delayed.

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That was wet.

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It felt good throwing the wrench,

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but everything else that happened

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I didn't like at all.

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I'm not going to do it then.

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I'll pass. I saw you do it.

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It's fine.

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How many more things can we throw?

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I think we should just maybe go.

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I hate it.

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My mesophonia is affected

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only by portal sounds.

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Wet portal sounds.

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Who knew?

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There's a ladder and maybe some kind of...

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Don't throw the ladder!

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I'm not going to just throw the ladder.

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It looks like the ladder goes up and down

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and then there's this little box beside it

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and it has this open door and it's got a button inside.

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Guys, I want to press the button.

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It's got an up arrow and a down arrow.

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I'm going to press it.

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I want to...

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Fuck this guy.

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I see Hilla already

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Pressing the button.

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Are you going in?

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No, we're watching you.

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You press the up arrow.

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You see the light kind of go through?

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See, I thought this was a ladder.

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This is a...

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There's a ladder beside it, I think?

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Oh.

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I'll take the fucking ladder.

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God damn Hilla taking the

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stupid upside down machine.

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God damn it.

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00:07:58,199 --> 00:08:00,199
Hey guys! It's pretty cool up here.

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00:08:00,399 --> 00:08:02,399
Some cloud tubes?

201
00:08:02,399 --> 00:08:04,399
Uh...

202
00:08:04,399 --> 00:08:06,399
Looks like some buttons.

203
00:08:06,399 --> 00:08:08,399
I know we didn't talk about it, but I assumed

204
00:08:08,399 --> 00:08:10,399
we'd all just kind of be quiet.

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00:08:10,399 --> 00:08:12,399
Yeah, he's screaming an awful lot.

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There's nobody up here!

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00:08:14,399 --> 00:08:16,399
I figured I was okay.

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00:08:16,399 --> 00:08:18,399
I mean, it's even worse if his yelling is that loud

209
00:08:18,399 --> 00:08:20,399
and his hearing is that sensitive

210
00:08:20,399 --> 00:08:22,399
that he can hear this conversation we're having.

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A floor below him.

212
00:08:24,399 --> 00:08:26,399
He must deafen himself on the daily.

213
00:08:26,399 --> 00:08:28,399
I mean, that explains all the yelling.

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00:08:29,200 --> 00:08:31,200
Is it like one of those whisper chambers

215
00:08:31,200 --> 00:08:33,200
where like you can hear from across the room?

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00:08:33,200 --> 00:08:35,200
Right.

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00:08:35,200 --> 00:08:37,200
I'm gonna press some buttons if you don't get up here soon!

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00:08:37,200 --> 00:08:39,200
We're climbing up the ladder,

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00:08:39,200 --> 00:08:41,200
Hilla, shh.

220
00:08:43,200 --> 00:08:45,200
You enter into a new chamber,

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00:08:45,200 --> 00:08:47,200
slightly smaller.

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00:08:47,200 --> 00:08:49,200
I come over and I slap Hilla.

223
00:08:49,200 --> 00:08:51,200
Why?

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00:08:51,200 --> 00:08:53,200
Stop pressing buttons.

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00:08:53,200 --> 00:08:55,200
I didn't press them yet, I said I was about to start.

226
00:08:55,200 --> 00:08:57,200
No, you press the one down there.

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00:08:58,000 --> 00:09:00,000
When you say I wanted to press it and you press it first,

228
00:09:00,000 --> 00:09:02,000
I will slap you again.

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00:09:02,000 --> 00:09:04,000
Listen to the playback, I'm pretty sure I said it first.

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00:09:04,000 --> 00:09:06,000
He slaps Hilla again.

231
00:09:06,000 --> 00:09:08,000
Stop it. You go sit over there.

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Don't touch anything.

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00:09:10,000 --> 00:09:12,000
This room is a little bit smaller than the last

234
00:09:12,000 --> 00:09:14,000
and in this chamber

235
00:09:14,000 --> 00:09:16,000
are glass tubes

236
00:09:16,000 --> 00:09:18,000
that extend from the floor to the ceiling.

237
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Each has a glass door on it

238
00:09:20,000 --> 00:09:22,000
and inside is this sickly green

239
00:09:22,000 --> 00:09:24,000
swirling cloud in the chamber.

240
00:09:24,000 --> 00:09:26,000
Do they seem like,

241
00:09:26,799 --> 00:09:28,799
floor to ceiling?

242
00:09:28,799 --> 00:09:30,799
Do they seem to be going through the ceiling

243
00:09:30,799 --> 00:09:32,799
or stopping at the ceiling?

244
00:09:32,799 --> 00:09:34,799
Presumably at the ceiling from what you can tell.

245
00:09:34,799 --> 00:09:36,799
Have they been making any sound?

246
00:09:38,799 --> 00:09:40,799
Are there any plaques that we could read?

247
00:09:40,799 --> 00:09:42,799
Ooh, yes.

248
00:09:42,799 --> 00:09:44,799
No informative plaques.

249
00:09:44,799 --> 00:09:46,799
This is a terrible museum.

250
00:09:46,799 --> 00:09:48,799
Not on this floor that you can find.

251
00:09:52,799 --> 00:09:54,799
Okay, so I got two series.

252
00:09:55,600 --> 00:09:57,600
Okay, there.

253
00:09:57,600 --> 00:09:59,600
One, this is the cure

254
00:09:59,600 --> 00:10:01,600
for this pink stuff.

255
00:10:01,600 --> 00:10:03,600
Number two,

256
00:10:03,600 --> 00:10:05,600
it's poisonous.

257
00:10:05,600 --> 00:10:07,600
We might all die.

258
00:10:07,600 --> 00:10:09,600
Yeah, it seems...

259
00:10:09,600 --> 00:10:11,600
Yeah, green is usually

260
00:10:11,600 --> 00:10:13,600
bad.

261
00:10:13,600 --> 00:10:15,600
I don't know. Green means go.

262
00:10:15,600 --> 00:10:17,600
That's true.

263
00:10:17,600 --> 00:10:19,600
But green when it's like medicine

264
00:10:19,600 --> 00:10:21,600
is like, ooh, don't take that medicine.

265
00:10:21,600 --> 00:10:23,600
But trees and grass,

266
00:10:24,399 --> 00:10:26,399
those things are green and they're like the best.

267
00:10:26,399 --> 00:10:28,399
But infections, right?

268
00:10:28,399 --> 00:10:30,399
Remember that paper cut you got,

269
00:10:30,399 --> 00:10:32,399
and it was all posse and green and gross?

270
00:10:32,399 --> 00:10:34,399
Oh, yeah, sure, yeah.

271
00:10:34,399 --> 00:10:36,399
Maybe we just see

272
00:10:36,399 --> 00:10:38,399
what's on the next floor?

273
00:10:38,399 --> 00:10:40,399
Maybe let's just keep going.

274
00:10:40,399 --> 00:10:42,399
I sprint into the elevator.

275
00:10:42,399 --> 00:10:44,399
You take the ladder, you son of a bitch,

276
00:10:44,399 --> 00:10:46,399
and I press the button,

277
00:10:46,399 --> 00:10:48,399
and I do leave Moot and Glenn behind.

278
00:10:48,399 --> 00:10:50,399
I'm so sorry.

279
00:10:51,199 --> 00:10:53,199
So, should we

280
00:10:53,199 --> 00:10:55,199
go down and check out the down?

281
00:10:55,199 --> 00:10:57,199
No, and I go up.

282
00:10:57,199 --> 00:10:59,199
Oh, okay, yeah.

283
00:10:59,199 --> 00:11:01,199
Cool, cool, cool, cool.

284
00:11:01,199 --> 00:11:03,199
It's fine.

285
00:11:03,199 --> 00:11:05,199
Sully, you were the first.

286
00:11:05,199 --> 00:11:07,199
These doors part and

287
00:11:07,199 --> 00:11:09,199
you are now on the floor

288
00:11:09,199 --> 00:11:11,199
that had the lights that were

289
00:11:11,199 --> 00:11:13,199
visible from outside.

290
00:11:13,199 --> 00:11:15,199
Inside, you see

291
00:11:15,199 --> 00:11:17,199
slow moving

292
00:11:17,199 --> 00:11:19,199
energy blasts.

293
00:11:19,200 --> 00:11:21,200
Fire, some ice,

294
00:11:21,200 --> 00:11:23,200
some weird

295
00:11:23,200 --> 00:11:25,200
purple-y color, and

296
00:11:25,200 --> 00:11:27,200
on either side of this chamber

297
00:11:27,200 --> 00:11:29,200
are two people

298
00:11:29,200 --> 00:11:31,200
who seem to be

299
00:11:31,200 --> 00:11:33,200
just slow

300
00:11:33,200 --> 00:11:35,200
motion. I don't know what the frames

301
00:11:35,200 --> 00:11:37,200
per second is, but it's that

302
00:11:37,200 --> 00:11:39,200
kind of slow, and their spells

303
00:11:39,200 --> 00:11:41,200
that they appear to be casting out of

304
00:11:41,200 --> 00:11:43,200
their wands appear to be

305
00:11:43,200 --> 00:11:45,200
leaving them at an

306
00:11:45,200 --> 00:11:47,200
equally slow pace.

307
00:11:47,200 --> 00:11:49,200
If you were to roll

308
00:11:49,200 --> 00:11:51,200
an investigation or perception check,

309
00:11:51,200 --> 00:11:53,200
as Moot and Glenn

310
00:11:53,200 --> 00:11:55,200
are the first ones up the ladders,

311
00:11:57,200 --> 00:11:59,200
you now see this as well.

312
00:11:59,200 --> 00:12:01,200
Yeah, you're all in about

313
00:12:01,200 --> 00:12:03,200
the same ballpark.

314
00:12:03,200 --> 00:12:05,200
You perceive,

315
00:12:05,200 --> 00:12:07,200
after watching a little while,

316
00:12:07,200 --> 00:12:09,200
and your trigonometry skills,

317
00:12:09,200 --> 00:12:11,200
as good as they are, that these

318
00:12:11,200 --> 00:12:13,200
spells are traveling

319
00:12:13,200 --> 00:12:15,200
at approximately a foot

320
00:12:15,200 --> 00:12:17,200
every twelve hours.

321
00:12:17,200 --> 00:12:19,200
So there are

322
00:12:19,200 --> 00:12:21,200
numerous spells

323
00:12:21,200 --> 00:12:23,200
that have been cast that are just

324
00:12:23,200 --> 00:12:25,200
moving through the

325
00:12:25,200 --> 00:12:27,200
chamber towards the opposite person

326
00:12:27,200 --> 00:12:29,200
on the other side, and the

327
00:12:29,200 --> 00:12:31,200
wizards seem to be locked in this weird

328
00:12:31,200 --> 00:12:33,200
time

329
00:12:33,200 --> 00:12:35,200
fuckery.

330
00:12:35,200 --> 00:12:37,200
But you, yourselves, appear

331
00:12:37,200 --> 00:12:39,200
to be moving at the regular speed, because that

332
00:12:39,200 --> 00:12:41,200
would just make this a long adventure.

333
00:12:41,200 --> 00:12:43,200
And we wouldn't want that.

334
00:12:43,200 --> 00:12:45,200
No, time fuckery.

335
00:12:45,200 --> 00:12:47,200
Russ is the biggest boner right now.

336
00:12:47,200 --> 00:12:49,200
Do we recognize

337
00:12:49,200 --> 00:12:51,200
either of these wizards?

338
00:12:51,200 --> 00:12:53,200
Good question.

339
00:12:53,200 --> 00:12:55,200
Make a history check.

340
00:12:55,200 --> 00:12:57,200
Wow, this dice

341
00:12:57,200 --> 00:12:59,200
has rolled nothing but shit for me.

342
00:12:59,200 --> 00:13:01,200
Four.

343
00:13:01,200 --> 00:13:03,200
Four do it.

344
00:13:03,200 --> 00:13:05,200
Fourteen. Let's go fourteen.

345
00:13:05,200 --> 00:13:07,200
Glenn, you did your research before you

346
00:13:07,200 --> 00:13:09,200
left, which is not unusual,

347
00:13:09,200 --> 00:13:11,200
but perhaps Moot would have

348
00:13:11,200 --> 00:13:13,200
normally done it in another life.

349
00:13:13,200 --> 00:13:15,200
One of them,

350
00:13:15,200 --> 00:13:17,200
the one to your

351
00:13:17,200 --> 00:13:19,200
left, we'll say, looks like

352
00:13:19,200 --> 00:13:21,200
the Magi Bonvai,

353
00:13:21,200 --> 00:13:23,200
the one and only, the one

354
00:13:23,200 --> 00:13:25,200
who

355
00:13:25,200 --> 00:13:27,200
is perhaps the

356
00:13:27,200 --> 00:13:29,200
known magician

357
00:13:29,200 --> 00:13:31,200
wizard of the area.

358
00:13:31,200 --> 00:13:33,200
At least the one that has that robot.

359
00:13:33,200 --> 00:13:35,200
Or no, the robot.

360
00:13:35,200 --> 00:13:37,200
The town's named after him, right?

361
00:13:37,200 --> 00:13:39,200
And the robot birds.

362
00:13:39,200 --> 00:13:41,200
Yep, the one

363
00:13:41,200 --> 00:13:43,200
and only. And the other one on the other side?

364
00:13:45,200 --> 00:13:47,200
Not familiar.

365
00:13:47,200 --> 00:13:49,200
What do they look like?

366
00:13:49,200 --> 00:13:51,200
What's their general vibe?

367
00:13:51,200 --> 00:13:53,200
Where did they come from?

368
00:13:53,200 --> 00:13:55,200
Where did they go?

369
00:13:55,200 --> 00:13:57,200
Where did they come from?

370
00:13:57,200 --> 00:13:59,200
Looks

371
00:13:59,200 --> 00:14:01,200
to be...

372
00:14:01,200 --> 00:14:03,200
I'm so mad you got that song in my head, Tom.

373
00:14:05,200 --> 00:14:07,200
That is

374
00:14:07,200 --> 00:14:09,200
100% about a sexually

375
00:14:09,200 --> 00:14:11,200
transmitted infection, yes.

376
00:14:11,200 --> 00:14:13,200
I mean, sure.

377
00:14:13,200 --> 00:14:15,200
The song behaves like one.

378
00:14:15,200 --> 00:14:17,200
Yes, exactly.

379
00:14:17,200 --> 00:14:19,200
Alright,

380
00:14:19,200 --> 00:14:21,200
general vibe of the one you don't

381
00:14:21,200 --> 00:14:23,200
recognize. Looks to be

382
00:14:23,200 --> 00:14:25,200
human or humanoid.

383
00:14:25,200 --> 00:14:27,200
More human

384
00:14:27,200 --> 00:14:29,200
than anything else.

385
00:14:29,200 --> 00:14:31,200
Dressed in

386
00:14:31,200 --> 00:14:33,200
rather unusual

387
00:14:33,200 --> 00:14:35,200
attire, more

388
00:14:35,200 --> 00:14:37,200
like clean cut, very

389
00:14:37,200 --> 00:14:39,200
greys, very shiny

390
00:14:39,200 --> 00:14:41,200
fabrics.

391
00:14:41,200 --> 00:14:43,200
Seems out of place for the

392
00:14:43,200 --> 00:14:45,200
world that you are in and

393
00:14:45,200 --> 00:14:47,200
things that you have seen.

394
00:14:47,200 --> 00:14:49,200
Well, this looks like not like a

395
00:14:49,200 --> 00:14:51,200
really time sensitive

396
00:14:51,200 --> 00:14:53,200
problem. That's a great

397
00:14:53,200 --> 00:14:55,200
point. Should we keep going up

398
00:14:55,200 --> 00:14:57,200
to see if there's something else that is like

399
00:14:57,200 --> 00:14:59,200
more like pink,

400
00:14:59,200 --> 00:15:01,200
like if there's like a big

401
00:15:01,200 --> 00:15:03,200
plug we could pull and all the

402
00:15:03,200 --> 00:15:05,200
pink goo would drain or something?

403
00:15:05,200 --> 00:15:07,200
That would be good. You guys want to get in the elevator

404
00:15:07,200 --> 00:15:09,200
this time? These guys look like,

405
00:15:09,200 --> 00:15:11,200
you know, like they'll be

406
00:15:11,200 --> 00:15:13,200
here for a minute. For a

407
00:15:13,200 --> 00:15:15,200
minute, yeah. Yeah, I want

408
00:15:15,200 --> 00:15:17,200
to ride in it. Sure.

409
00:15:17,200 --> 00:15:19,200
Oh, it's nice. You don't have to do anything.

410
00:15:19,200 --> 00:15:21,200
Oh,

411
00:15:21,200 --> 00:15:23,200
well, I'll try it. You could do

412
00:15:23,200 --> 00:15:25,200
squats while you're in it. Oh, you're

413
00:15:25,200 --> 00:15:27,200
right.

414
00:15:27,200 --> 00:15:29,200
Phillip,

415
00:15:29,200 --> 00:15:31,200
you want to come along?

416
00:15:31,200 --> 00:15:33,200
Um, hmm.

417
00:15:33,200 --> 00:15:35,200
I don't want to leave you in here with these

418
00:15:35,200 --> 00:15:37,200
guys. I don't know what you're going to do.

419
00:15:37,200 --> 00:15:39,200
You see him, he's holding

420
00:15:39,200 --> 00:15:41,200
this large, like,

421
00:15:41,200 --> 00:15:43,200
gray, like, plate

422
00:15:43,200 --> 00:15:45,200
almost.

423
00:15:45,200 --> 00:15:47,200
He was walking over to the spells

424
00:15:47,200 --> 00:15:49,200
being like, I could maybe like redirect

425
00:15:49,200 --> 00:15:51,200
the spells. You don't know what

426
00:15:51,200 --> 00:15:53,200
the spells are. But if you like

427
00:15:53,200 --> 00:15:55,200
angle them and push them.

428
00:15:55,200 --> 00:15:57,200
And then say like, let's

429
00:15:57,200 --> 00:15:59,200
say you wait there for like, what, 12

430
00:15:59,200 --> 00:16:01,200
hours.

431
00:16:01,200 --> 00:16:03,200
Presumably, yes. And then it just

432
00:16:03,200 --> 00:16:05,200
blasts through it.

433
00:16:05,200 --> 00:16:07,200
Yes.

434
00:16:07,200 --> 00:16:09,200
Or you reposition it and

435
00:16:09,200 --> 00:16:11,200
it points like out into the world.

436
00:16:11,200 --> 00:16:13,200
And hits a baby.

437
00:16:13,200 --> 00:16:15,200
Oh, I don't want to hit a baby.

438
00:16:15,200 --> 00:16:17,200
No, sorry, I will reposition

439
00:16:17,200 --> 00:16:19,200
the one spell that I already

440
00:16:19,200 --> 00:16:21,200
moved when you were talking about others.

441
00:16:21,200 --> 00:16:23,200
That baby's petting a puppy. How could you even?

442
00:16:23,200 --> 00:16:25,200
Well,

443
00:16:25,200 --> 00:16:27,200
unacceptable. Sorry,

444
00:16:27,200 --> 00:16:29,200
guys. Listen, if you're going to be part

445
00:16:29,200 --> 00:16:31,200
of the group, we talk things out.

446
00:16:31,200 --> 00:16:33,200
Well, okay, let's talk it through.

447
00:16:33,200 --> 00:16:35,200
What if we- We like to make a really good

448
00:16:35,200 --> 00:16:37,200
plan and then follow through on it.

449
00:16:37,200 --> 00:16:39,200
Especially when we have 12 hours. That's our main thing.

450
00:16:39,200 --> 00:16:41,200
That is one thing that I wrote down

451
00:16:41,200 --> 00:16:43,200
from the three of you is that you always make

452
00:16:43,200 --> 00:16:45,200
plans and you always know

453
00:16:45,200 --> 00:16:47,200
exactly what to do when you are going

454
00:16:47,200 --> 00:16:49,200
into a situation not uncertain

455
00:16:49,200 --> 00:16:51,200
in any way, shape, or form.

456
00:16:51,200 --> 00:16:53,200
You are correct in all of

457
00:16:53,200 --> 00:16:55,200
those statements. I'm in the elevator.

458
00:16:55,200 --> 00:16:57,200
Let's go check it. What, we got two more floors

459
00:16:57,200 --> 00:16:59,200
to look at?

460
00:16:59,200 --> 00:17:01,200
I think it's just one above us.

461
00:17:01,200 --> 00:17:03,200
Just a one? Okay.

462
00:17:03,200 --> 00:17:05,200
Okay.

463
00:17:05,200 --> 00:17:07,200
It's weird you're making those sound effects.

464
00:17:07,200 --> 00:17:09,200
Oh, you've added music.

465
00:17:09,200 --> 00:17:11,200
Well, it seems like a very quiet

466
00:17:11,200 --> 00:17:13,200
dead space without some music.

467
00:17:13,200 --> 00:17:15,200
Isn't it weird we're all just choosing

468
00:17:15,200 --> 00:17:17,200
to just stare at the back of this door

469
00:17:17,200 --> 00:17:19,200
and not make eye contact with each other?

470
00:17:19,200 --> 00:17:21,200
I'm doing squats.

471
00:17:22,200 --> 00:17:24,200
What?

472
00:17:24,200 --> 00:17:26,200
It's not okay.

473
00:17:26,200 --> 00:17:28,200
That was a small space.

474
00:17:28,200 --> 00:17:30,200
Sorry, everybody. Sorry.

475
00:17:30,200 --> 00:17:32,200
I was squatting when you did that.

476
00:17:32,200 --> 00:17:34,200
Well, it was Glim. She was squatting

477
00:17:34,200 --> 00:17:36,200
and one snuck out of her keys.

478
00:17:36,200 --> 00:17:38,200
Did you just blame your fart on Glim?

479
00:17:38,200 --> 00:17:40,200
I didn't blame my fart on Glim.

480
00:17:40,200 --> 00:17:42,200
I blamed Glim's fart on Glim.

481
00:17:42,200 --> 00:17:44,200
Wow.

482
00:17:48,200 --> 00:17:50,200
Luke doesn't say anything in five

483
00:17:50,200 --> 00:17:52,200
minutes. Wow.

484
00:17:52,200 --> 00:17:54,200
Wow.

485
00:17:54,200 --> 00:17:56,200
We thought more highly of you than

486
00:17:56,200 --> 00:17:58,200
that, Hilla.

487
00:18:12,200 --> 00:18:14,200
The doors part open.

488
00:18:14,200 --> 00:18:16,200
The gas releases.

489
00:18:17,200 --> 00:18:19,200
That's what was in those green

490
00:18:19,200 --> 00:18:21,200
cylinders.

491
00:18:21,200 --> 00:18:23,200
You enter into yet a slightly smaller

492
00:18:23,200 --> 00:18:25,200
room, this one approximately

493
00:18:25,200 --> 00:18:27,200
30 feet across.

494
00:18:27,200 --> 00:18:29,200
It looks like it could be described

495
00:18:29,200 --> 00:18:31,200
as a library. There's many shelves.

496
00:18:31,200 --> 00:18:33,200
There's books all over. In the center of

497
00:18:33,200 --> 00:18:35,200
this chamber,

498
00:18:35,200 --> 00:18:37,200
there is a pedestal with a

499
00:18:37,200 --> 00:18:39,200
green glowing

500
00:18:39,200 --> 00:18:41,200
stone.

501
00:18:41,200 --> 00:18:43,200
Sully looks at

502
00:18:43,200 --> 00:18:45,200
Hilla and goes, don't.

503
00:18:45,200 --> 00:18:47,200
I will put my hands in my pockets.

504
00:18:47,200 --> 00:18:49,200
Goodness. Somebody watch

505
00:18:49,200 --> 00:18:51,200
him. Won't touch it.

506
00:18:51,200 --> 00:18:53,200
Is there a

507
00:18:53,200 --> 00:18:55,200
plaque?

508
00:18:55,200 --> 00:18:57,200
Yeah, there's a plaque right

509
00:18:57,200 --> 00:18:59,200
here. Is there maybe like a

510
00:18:59,200 --> 00:19:01,200
tourist information kiosk?

511
00:19:01,200 --> 00:19:03,200
Sure. I can grab some literature.

512
00:19:03,200 --> 00:19:05,200
Is there someone just standing ready to take me on a

513
00:19:05,200 --> 00:19:07,200
tour of this place? My name is

514
00:19:07,200 --> 00:19:09,200
Hilla. I will read you the plaque that is below

515
00:19:09,200 --> 00:19:11,200
this big stone. With your

516
00:19:11,200 --> 00:19:13,200
hands in your pockets. With my hands in

517
00:19:13,200 --> 00:19:15,200
my pockets. I will gesture with my

518
00:19:15,200 --> 00:19:17,200
elbows. I was going to say

519
00:19:17,200 --> 00:19:19,200
one hand.

520
00:19:19,200 --> 00:19:21,200
One hand in my pocket

521
00:19:21,200 --> 00:19:23,200
and the other one on the cosmic

522
00:19:23,200 --> 00:19:25,200
stone. No, I won't put it on the

523
00:19:25,200 --> 00:19:27,200
cosmic stone.

524
00:19:27,200 --> 00:19:29,200
I got swept away. This is the cosmic

525
00:19:29,200 --> 00:19:31,200
stone. You should have yeeted him through that portal.

526
00:19:33,200 --> 00:19:35,200
If you touch it, you become aware

527
00:19:35,200 --> 00:19:37,200
of

528
00:19:37,200 --> 00:19:39,200
the cosmos.

529
00:19:39,200 --> 00:19:41,200
Now, how many

530
00:19:41,200 --> 00:19:43,200
dots were written

531
00:19:43,200 --> 00:19:45,200
down in that?

532
00:19:45,200 --> 00:19:47,200
So that was that much of a pause.

533
00:19:47,200 --> 00:19:49,200
Is there a couple? It was

534
00:19:49,200 --> 00:19:51,200
like an ellipsis followed by an ellipsis

535
00:19:51,200 --> 00:19:53,200
followed by an ellipsis.

536
00:19:53,200 --> 00:19:55,200
Okay. That's three ellipses.

537
00:19:55,200 --> 00:19:57,200
So I felt appropriate to say

538
00:19:57,200 --> 00:19:59,200
the Oz.

539
00:19:59,200 --> 00:20:01,200
Can you read it one more time? The

540
00:20:01,200 --> 00:20:03,200
cosmic stone.

541
00:20:03,200 --> 00:20:05,200
If you touch

542
00:20:05,200 --> 00:20:07,200
it,

543
00:20:07,200 --> 00:20:09,200
if you touch it, you will

544
00:20:09,200 --> 00:20:11,200
be aware of

545
00:20:11,200 --> 00:20:13,200
the cosmos.

546
00:20:13,200 --> 00:20:15,200
It seems kind of vague. Now, did you say

547
00:20:15,200 --> 00:20:17,200
beware or be aware

548
00:20:17,200 --> 00:20:19,200
of? Be

549
00:20:19,200 --> 00:20:21,200
aware.

550
00:20:21,200 --> 00:20:23,200
A-W-A-R-E.

551
00:20:23,200 --> 00:20:25,200
Be aware. Beware.

552
00:20:25,200 --> 00:20:27,200
I think it's important to be aware

553
00:20:27,200 --> 00:20:29,200
of stuff. Be aware of the

554
00:20:29,200 --> 00:20:31,200
cosmos. Yeah, seems like we should touch it.

555
00:20:31,200 --> 00:20:33,200
Now, hold on a second.

556
00:20:33,200 --> 00:20:35,200
What is the cosmos?

557
00:20:35,200 --> 00:20:37,200
Because I once,

558
00:20:37,200 --> 00:20:39,200
I don't know if it's the same thing, but I

559
00:20:39,200 --> 00:20:41,200
once had a cosmos.

560
00:20:41,200 --> 00:20:43,200
Yeah? And

561
00:20:43,200 --> 00:20:45,200
then I woke up

562
00:20:45,200 --> 00:20:47,200
in the, you

563
00:20:47,200 --> 00:20:49,200
know, in the parking lot of a church.

564
00:20:49,200 --> 00:20:51,200
So maybe you already have awareness

565
00:20:51,200 --> 00:20:53,200
of the cosmos? Maybe.

566
00:20:53,200 --> 00:20:55,200
I don't know. Or you don't really

567
00:20:55,200 --> 00:20:57,200
remember. Well, I mean, I don't really

568
00:20:57,200 --> 00:20:59,200
remember, so I guess I'm not that aware, but

569
00:20:59,200 --> 00:21:01,200
I'm not sure it's the same thing.

570
00:21:01,200 --> 00:21:03,200
As I've read the plaque, I don't know any

571
00:21:03,200 --> 00:21:05,200
other information. I don't know. My

572
00:21:05,200 --> 00:21:07,200
next step is to just kind of like let

573
00:21:07,200 --> 00:21:09,200
Hillop do what he wants

574
00:21:09,200 --> 00:21:11,200
to do.

575
00:21:11,200 --> 00:21:13,200
Bold choice, but let's see where this

576
00:21:13,200 --> 00:21:15,200
goes. Hillop, you want to touch your stone?

577
00:21:15,200 --> 00:21:17,200
Well, of course I want to touch your stone,

578
00:21:17,200 --> 00:21:19,200
but you told me to put my hands in my pockets. Well, I mean

579
00:21:19,200 --> 00:21:21,200
I did, but now I'm saying you could take your

580
00:21:21,200 --> 00:21:23,200
hands out of your pockets. You did an excellent

581
00:21:23,200 --> 00:21:25,200
job of reading the plaque. You

582
00:21:25,200 --> 00:21:27,200
should give yourself a round of applause.

583
00:21:27,200 --> 00:21:29,200
Okay.

584
00:21:29,200 --> 00:21:31,200
Okay, now nobody

585
00:21:31,200 --> 00:21:33,200
is going to supervise you.

586
00:21:33,200 --> 00:21:35,200
Nobody is going to supervise me. Nobody is going to supervise you.

587
00:21:35,200 --> 00:21:37,200
We're just going to

588
00:21:37,200 --> 00:21:39,200
fade into the background here and

589
00:21:39,200 --> 00:21:41,200
look at the rest of this room.

590
00:21:41,200 --> 00:21:43,200
Look at some of these books.

591
00:21:43,200 --> 00:21:45,200
You said library, so I'm assuming

592
00:21:45,200 --> 00:21:47,200
just walls covered in books.

593
00:21:47,200 --> 00:21:49,200
Standard library. Is there one of those

594
00:21:49,200 --> 00:21:51,200
really big ladders like you wanted to

595
00:21:51,200 --> 00:21:53,200
have in our kitchen so I could reach stuff?

596
00:21:53,200 --> 00:21:55,200
Yeah, absolutely.

597
00:21:55,200 --> 00:21:57,200
Like that rolls around.

598
00:21:57,200 --> 00:21:59,200
Amazing.

599
00:21:59,200 --> 00:22:01,200
So the camera doesn't leave Hillop, but you

600
00:22:01,200 --> 00:22:03,200
through dispersed through the library, looking

601
00:22:03,200 --> 00:22:05,200
at books, checking out names, seeing things.

602
00:22:05,200 --> 00:22:07,200
Riding on that ladder. Portals.

603
00:22:07,200 --> 00:22:09,200
Really just anuses to another

604
00:22:09,200 --> 00:22:11,200
place.

605
00:22:11,200 --> 00:22:13,200
That old chestnut. Very popular

606
00:22:13,200 --> 00:22:15,200
book. Different journals and spell

607
00:22:15,200 --> 00:22:17,200
books and that sort of thing.

608
00:22:17,200 --> 00:22:19,200
But the camera still hasn't left Hillop and he

609
00:22:19,200 --> 00:22:21,200
is looking side to side

610
00:22:21,200 --> 00:22:23,200
trying to figure out if anybody is actually

611
00:22:23,200 --> 00:22:25,200
going to let him do

612
00:22:25,200 --> 00:22:27,200
what he wants. And you see his hand slowly

613
00:22:27,200 --> 00:22:29,200
raised towards the cosmic

614
00:22:29,200 --> 00:22:31,200
stone that he described off the plaque

615
00:22:31,200 --> 00:22:33,200
and it makes contact with

616
00:22:33,200 --> 00:22:35,200
the cosmic stone and his eyes

617
00:22:35,200 --> 00:22:37,200
roll back in his head.

618
00:22:37,200 --> 00:22:39,200
And if anybody is watching, which you're

619
00:22:39,200 --> 00:22:41,200
probably all actually watching him.

620
00:22:41,200 --> 00:22:43,200
I was like perusing a shelf,

621
00:22:43,200 --> 00:22:45,200
but paying very close attention

622
00:22:45,200 --> 00:22:47,200
to what was going on. I have a book

623
00:22:47,200 --> 00:22:49,200
open that is called portal

624
00:22:49,200 --> 00:22:51,200
the extra hole you didn't know

625
00:22:51,200 --> 00:22:53,200
you needed.

626
00:22:53,200 --> 00:22:55,200
It's upside down.

627
00:22:55,200 --> 00:22:57,200
Eyes roll back in his head and he begins

628
00:22:57,200 --> 00:22:59,200
like vibrating.

629
00:22:59,200 --> 00:23:01,200
And he seems to be stuck in place there.

630
00:23:01,200 --> 00:23:03,200
Should we take him off that stone?

631
00:23:03,200 --> 00:23:05,200
Hillop?

632
00:23:05,200 --> 00:23:07,200
How you doing bud?

633
00:23:07,200 --> 00:23:09,200
And speaking in this weird,

634
00:23:09,200 --> 00:23:11,200
it sounds like gibberish. It's mumbling.

635
00:23:11,200 --> 00:23:13,200
Can you give us an example

636
00:23:13,200 --> 00:23:15,200
of what that was like?

637
00:23:19,200 --> 00:23:21,200
It seems fine to me.

638
00:23:21,200 --> 00:23:23,200
I know, it's normal.

639
00:23:23,200 --> 00:23:25,200
Okay,

640
00:23:25,200 --> 00:23:27,200
he should pull him off.

641
00:23:29,200 --> 00:23:31,200
Is that the internal alarm that happened?

642
00:23:31,200 --> 00:23:33,200
I'm going to try and pull him away from

643
00:23:33,200 --> 00:23:35,200
the stone. Yeah, you pull him

644
00:23:35,200 --> 00:23:37,200
off, he stops immediately as soon

645
00:23:37,200 --> 00:23:39,200
as his hand's not in contact

646
00:23:39,200 --> 00:23:41,200
with the cosmic stone. How you doing buddy?

647
00:23:41,200 --> 00:23:43,200
It seems

648
00:23:43,200 --> 00:23:45,200
I saw

649
00:23:45,200 --> 00:23:47,200
I saw

650
00:23:47,200 --> 00:23:49,200
I saw

651
00:23:49,200 --> 00:23:51,200
Where are we now?

652
00:23:51,200 --> 00:23:53,200
We're in the tower in the middle

653
00:23:53,200 --> 00:23:55,200
of the pink goo. The robots

654
00:23:55,200 --> 00:23:57,200
out there, there are two

655
00:23:57,200 --> 00:23:59,200
slow wizards down

656
00:23:59,200 --> 00:24:01,200
there. Seems like 18

657
00:24:01,200 --> 00:24:03,200
lives ago.

658
00:24:03,200 --> 00:24:05,200
I've seen all the corners

659
00:24:05,200 --> 00:24:07,200
of the world. I've seen

660
00:24:07,200 --> 00:24:09,200
I know things

661
00:24:09,200 --> 00:24:11,200
now. Cool.

662
00:24:11,200 --> 00:24:13,200
Like how to get rid of the pink goo?

663
00:24:13,200 --> 00:24:15,200
Yeah, we close the door.

664
00:24:15,200 --> 00:24:17,200
What door?

665
00:24:17,200 --> 00:24:19,200
There's a door

666
00:24:19,200 --> 00:24:21,200
at the bottom floor.

667
00:24:21,200 --> 00:24:23,200
And we close the door.

668
00:24:23,200 --> 00:24:25,200
Close the door. Okay.

669
00:24:25,200 --> 00:24:27,200
Okay.

670
00:24:27,200 --> 00:24:29,200
And what about the wizard,

671
00:24:29,200 --> 00:24:31,200
slow motion wizard guys? Should we

672
00:24:31,200 --> 00:24:33,200
like help them or close the door?

673
00:24:33,200 --> 00:24:35,200
It's a Magi

674
00:24:35,200 --> 00:24:37,200
Bonvay who runs

675
00:24:37,200 --> 00:24:39,200
the establishment and then there's the

676
00:24:39,200 --> 00:24:41,200
inhumanist who is

677
00:24:41,200 --> 00:24:43,200
his arch nemesis

678
00:24:43,200 --> 00:24:45,200
so to speak

679
00:24:45,200 --> 00:24:47,200
for the Magi Bonvay. Did he make the

680
00:24:47,200 --> 00:24:49,200
goo? He

681
00:24:49,200 --> 00:24:51,200
contributed to the goo being

682
00:24:51,200 --> 00:24:53,200
released and then they were locked

683
00:24:53,200 --> 00:24:55,200
in time

684
00:24:55,200 --> 00:24:57,200
and then

685
00:24:57,200 --> 00:24:59,200
trying to

686
00:24:59,200 --> 00:25:01,200
shoot each other. It's been going on for

687
00:25:01,200 --> 00:25:03,200
quite some time.

688
00:25:03,200 --> 00:25:05,200
What if we put that

689
00:25:05,200 --> 00:25:07,200
inhumanist into a bag?

690
00:25:07,200 --> 00:25:09,200
You want to put the inhumanist into

691
00:25:09,200 --> 00:25:11,200
a bag?

692
00:25:11,200 --> 00:25:13,200
What kind of bag? Well, probably

693
00:25:13,200 --> 00:25:15,200
like a potato sack or something like that.

694
00:25:15,200 --> 00:25:17,200
Yeah, like a burlap sack of sorts.

695
00:25:17,200 --> 00:25:19,200
And put things into a potato sack.

696
00:25:19,200 --> 00:25:21,200
Okay. And just like put them

697
00:25:21,200 --> 00:25:23,200
somewhere else? Sure.

698
00:25:23,200 --> 00:25:25,200
Put them into a potato sack. That seems

699
00:25:25,200 --> 00:25:27,200
fine.

700
00:25:27,200 --> 00:25:29,200
Is this Russ or Hilla talking?

701
00:25:29,200 --> 00:25:31,200
Yeah, put them in a potato sack.

702
00:25:31,200 --> 00:25:33,200
Yeah, sure. Yeah, totally.

703
00:25:33,200 --> 00:25:35,200
I mean, you do you, Sully.

704
00:25:35,200 --> 00:25:37,200
I have the wealth

705
00:25:37,200 --> 00:25:39,200
of knowledge of the cosmos now.

706
00:25:39,200 --> 00:25:41,200
Oh, gosh. Are you going to be all high

707
00:25:41,200 --> 00:25:43,200
and mighty about it? Well,

708
00:25:43,200 --> 00:25:45,200
I mean, I touched the cosmic stone.

709
00:25:45,200 --> 00:25:47,200
I am imparted with the information.

710
00:25:47,200 --> 00:25:49,200
I am probably now... Wait, if I go touch the cosmic

711
00:25:49,200 --> 00:25:51,200
stone, then you're not the only person.

712
00:25:51,200 --> 00:25:53,200
Okay, go touch the cosmic stone. Well, no, I don't want

713
00:25:53,200 --> 00:25:55,200
to. It looked painful what you did.

714
00:25:55,200 --> 00:25:57,200
It's just like a dump

715
00:25:57,200 --> 00:25:59,200
of information into your brain

716
00:25:59,200 --> 00:26:01,200
all at once. I don't want the cosmos

717
00:26:01,200 --> 00:26:03,200
to take a dump on me. Well,

718
00:26:03,200 --> 00:26:05,200
it's not on you. It's in your brain.

719
00:26:05,200 --> 00:26:07,200
I don't want a dump in me. That sounds much worse.

720
00:26:07,200 --> 00:26:09,200
I think that's worse.

721
00:26:09,200 --> 00:26:11,200
Should we just go to the bottom floor and close the door and

722
00:26:11,200 --> 00:26:13,200
deal with the goo situation? Yes, one thing

723
00:26:13,200 --> 00:26:15,200
at a time. And then the two slo-mos.

724
00:26:15,200 --> 00:26:17,200
We can figure out

725
00:26:17,200 --> 00:26:19,200
what we're going to do with those guys.

726
00:26:19,200 --> 00:26:21,200
We'll deal with them later.

727
00:26:21,200 --> 00:26:23,200
Okay. Yeah, sure.

728
00:26:23,200 --> 00:26:25,200
I don't like this, Hillop. How do we

729
00:26:25,200 --> 00:26:27,200
turn him back?

730
00:26:27,200 --> 00:26:29,200
I boop him on the nose.

731
00:26:29,200 --> 00:26:31,200
Boop. Does that

732
00:26:31,200 --> 00:26:33,200
make you feel better? Does it make you feel

733
00:26:33,200 --> 00:26:35,200
better? What do you think

734
00:26:35,200 --> 00:26:37,200
about baguettes? Baguettes are a

735
00:26:37,200 --> 00:26:39,200
delightful baked good. Would you do

736
00:26:39,200 --> 00:26:41,200
just about anything for one?

737
00:26:41,200 --> 00:26:43,200
Well, I mean... What about Zumba?

738
00:26:43,200 --> 00:26:45,200
You like Zumba? Well, hey, Zumba

739
00:26:45,200 --> 00:26:47,200
is a money-making opportunity,

740
00:26:47,200 --> 00:26:49,200
but when you have the world

741
00:26:49,200 --> 00:26:51,200
of knowledge of the cosmos at your

742
00:26:51,200 --> 00:26:53,200
hands, do you really need the... Oh,

743
00:26:53,200 --> 00:26:55,200
gosh. The bees knees of... Glim?

744
00:26:55,200 --> 00:26:57,200
He was only in it for the money.

745
00:26:57,200 --> 00:26:59,200
Well...

746
00:26:59,200 --> 00:27:01,200
He just said it was a money-making opportunity

747
00:27:01,200 --> 00:27:03,200
and I thought it was a whole spiritual thing.

748
00:27:03,200 --> 00:27:05,200
You know what? Let's deal with the pink goo.

749
00:27:05,200 --> 00:27:07,200
I can't

750
00:27:07,200 --> 00:27:09,200
get them conflicted.

751
00:27:09,200 --> 00:27:11,200
Everybody's back in the elevator.

752
00:27:11,200 --> 00:27:13,200
Mm-hmm. Let's go to the

753
00:27:13,200 --> 00:27:15,200
basement. Find the pink goo

754
00:27:15,200 --> 00:27:17,200
door.

755
00:27:19,200 --> 00:27:21,200
So all the cosmic

756
00:27:21,200 --> 00:27:23,200
knowledge you're still humming

757
00:27:23,200 --> 00:27:25,200
in the elevator, huh?

758
00:27:25,200 --> 00:27:27,200
Makes people feel more comfortable.

759
00:27:27,200 --> 00:27:29,200
It doesn't. No.

760
00:27:29,200 --> 00:27:31,200
Weirdly. Actually.

761
00:27:33,200 --> 00:27:35,200
That's what I'm still doing yet.

762
00:27:35,200 --> 00:27:37,200
I

763
00:27:37,200 --> 00:27:39,200
should have just taken the ladder.

764
00:27:39,200 --> 00:27:41,200
You know I don't like just...

765
00:27:41,200 --> 00:27:43,200
You could have slid down that thing like a badass.

766
00:27:43,200 --> 00:27:45,200
You know how you do your hands and your feet on either side

767
00:27:45,200 --> 00:27:47,200
and you just go, whoa, all the way down.

768
00:27:47,200 --> 00:27:49,200
Have you guys seen this new vacation form from HR?

769
00:27:49,200 --> 00:27:51,200
Like, when are we even supposed to fill out?

770
00:27:51,200 --> 00:27:53,200
Yeah, sure, but you know what just occurred

771
00:27:53,200 --> 00:27:55,200
to me is that I now know

772
00:27:55,200 --> 00:27:57,200
what earn your keep

773
00:27:57,200 --> 00:27:59,200
means, because you know like when you

774
00:27:59,200 --> 00:28:01,200
get a keep inside of a city,

775
00:28:01,200 --> 00:28:03,200
when you're like... Right?

776
00:28:03,200 --> 00:28:05,200
You earn your keep.

777
00:28:05,200 --> 00:28:07,200
You guys. Oh.

778
00:28:07,200 --> 00:28:09,200
Right?

779
00:28:09,200 --> 00:28:11,200
It never cuts me, where it's like,

780
00:28:11,200 --> 00:28:13,200
earn your keep, earn your keep, and then she like gave us

781
00:28:13,200 --> 00:28:15,200
a keep, right? And she's like, this is where

782
00:28:15,200 --> 00:28:17,200
you guys live now.

783
00:28:17,200 --> 00:28:19,200
But then also do this shit for me, right?

784
00:28:19,200 --> 00:28:21,200
Huh. I guess I always

785
00:28:21,200 --> 00:28:23,200
thought it was like earn the keeping

786
00:28:23,200 --> 00:28:25,200
of you, like the tending and caring

787
00:28:25,200 --> 00:28:27,200
of you, like you have to earn

788
00:28:27,200 --> 00:28:29,200
basic, you know, like...

789
00:28:29,200 --> 00:28:31,200
How back-ass-wards is that though,

790
00:28:31,200 --> 00:28:33,200
right? Like, I mean, someone should just take care

791
00:28:33,200 --> 00:28:35,200
of you. We are peoples.

792
00:28:35,200 --> 00:28:37,200
Yeah, everyone should just

793
00:28:37,200 --> 00:28:39,200
you know, be taken care of

794
00:28:39,200 --> 00:28:41,200
to a basic level.

795
00:28:51,200 --> 00:28:53,200
Sitting on a river

796
00:28:53,200 --> 00:28:55,200
boat in the middle

797
00:28:55,200 --> 00:28:57,200
Saying something problematic

798
00:28:57,200 --> 00:28:59,200
Oh no.

799
00:28:59,200 --> 00:29:01,200
The people are waiting

800
00:29:01,200 --> 00:29:03,200
to hang because

801
00:29:03,200 --> 00:29:05,200
I started playing David

802
00:29:05,200 --> 00:29:07,200
Wilcox

803
00:29:07,200 --> 00:29:09,200
Did you hang out with us

804
00:29:09,200 --> 00:29:11,200
No, stop. No one likes this either, Russ.

805
00:29:11,200 --> 00:29:13,200
Anytime, anytime.

806
00:29:13,200 --> 00:29:15,200
I'm sorry that I...

807
00:29:15,200 --> 00:29:17,200
I'm sorry that I egged...

808
00:29:17,200 --> 00:29:19,200
I egged that on, you guys.

809
00:29:19,200 --> 00:29:21,200
I apologize. You should be.

810
00:29:21,200 --> 00:29:23,200
I'm 100% responsible for that.

811
00:29:23,200 --> 00:29:25,200
So a little hit to our good

812
00:29:25,200 --> 00:29:27,200
Canadian content of David

813
00:29:27,200 --> 00:29:29,200
Wilcox, which will be showing up in a Spotify playlist

814
00:29:29,200 --> 00:29:31,200
somewhere of the best Canadian

815
00:29:31,200 --> 00:29:33,200
song used. Good stuff.

816
00:29:33,200 --> 00:29:35,200
Look, okay?

817
00:29:35,200 --> 00:29:37,200
Everyone has opinions and that's awesome.

818
00:29:37,200 --> 00:29:39,200
It may not be good,

819
00:29:39,200 --> 00:29:41,200
but you know what is good?

820
00:29:41,200 --> 00:29:43,200
What?

821
00:29:43,200 --> 00:29:45,200
Our Facing Fate podcast.

822
00:29:45,200 --> 00:29:47,200
Oh yeah, that's good.

823
00:29:47,200 --> 00:29:49,200
That's a lot better than David Wilcox.

824
00:29:49,200 --> 00:29:51,200
100%. You're going to enjoy it

825
00:29:51,200 --> 00:29:53,200
so much more than if you listen to David Wilcox.

826
00:29:53,200 --> 00:29:55,200
That's right. If you hated what just happened,

827
00:29:55,200 --> 00:29:57,200
you're going to love the podcast.

828
00:29:57,200 --> 00:29:59,200
Let me tell you.

829
00:29:59,200 --> 00:30:01,200
This is great.

830
00:30:01,200 --> 00:30:03,200
Yeah, we have a new season of Facing Fate.

831
00:30:03,200 --> 00:30:05,200
It is Facing Fate, Cthulhu

832
00:30:05,200 --> 00:30:07,200
Season 2.

833
00:30:07,200 --> 00:30:09,200
Electric Boogaloo

834
00:30:09,200 --> 00:30:11,200
is the subtitle.

835
00:30:11,200 --> 00:30:13,200
Which is wildly inappropriate once you

836
00:30:13,200 --> 00:30:15,200
start listening to it.

837
00:30:15,200 --> 00:30:17,200
It doesn't quite fit.

838
00:30:17,200 --> 00:30:19,200
We're still grasping the concept of theme.

839
00:30:19,200 --> 00:30:21,200
We're not good at naming

840
00:30:21,200 --> 00:30:23,200
things. It's kind of our thing.

841
00:30:23,200 --> 00:30:25,200
There is going to be a new episode

842
00:30:25,200 --> 00:30:27,200
every week, all month, because it's

843
00:30:27,200 --> 00:30:29,200
spooky season and there's

844
00:30:29,200 --> 00:30:31,200
scary eldritch horrors

845
00:30:31,200 --> 00:30:33,200
coming for you.

846
00:30:33,200 --> 00:30:35,200
Maybe.

847
00:30:35,200 --> 00:30:37,200
Or are we just marking papers?

848
00:30:37,200 --> 00:30:39,200
That's definitely how

849
00:30:39,200 --> 00:30:41,200
the first episode starts. So if you haven't

850
00:30:41,200 --> 00:30:43,200
listened to it, please do.

851
00:30:43,200 --> 00:30:45,200
Because it gets better than just marking

852
00:30:45,200 --> 00:30:47,200
papers. It does get better than marking papers.

853
00:30:47,200 --> 00:30:49,200
The hook, the cliff

854
00:30:49,200 --> 00:30:51,200
hanger that we leave you on,

855
00:30:51,200 --> 00:30:53,200
that's how it does it.

856
00:30:53,200 --> 00:30:55,200
That's the noise you're going to make when you listen to it.

857
00:30:55,200 --> 00:30:57,200
I love it. Like Carla said,

858
00:30:57,200 --> 00:30:59,200
every week up until Halloween

859
00:30:59,200 --> 00:31:01,200
when the dramatic finale

860
00:31:01,200 --> 00:31:03,200
arrives.

861
00:31:03,200 --> 00:31:05,200
And then that means we've got to get planning on a new season

862
00:31:05,200 --> 00:31:07,200
everybody. So let's get down to business.

863
00:31:07,200 --> 00:31:09,200
Did we mention Kyle Claset's

864
00:31:09,200 --> 00:31:11,200
in it? From The Bombarded?

865
00:31:11,200 --> 00:31:13,200
And also this show?

866
00:31:13,200 --> 00:31:15,200
And also this show?

867
00:31:15,200 --> 00:31:17,200
He's a long time

868
00:31:17,200 --> 00:31:19,200
permanent cast member, Kyle Claset.

869
00:31:19,200 --> 00:31:21,200
He moved in and was just like, well I'm here for the record

870
00:31:21,200 --> 00:31:23,200
so we're doing it. Can one be a squatter

871
00:31:23,200 --> 00:31:25,200
in an audio medium?

872
00:31:25,200 --> 00:31:27,200
Except that I feel like we forced

873
00:31:27,200 --> 00:31:29,200
him to do it so is that...

874
00:31:29,200 --> 00:31:31,200
Have we kidnapped Kyle?

875
00:31:31,200 --> 00:31:33,200
Have we kidnapped Kyle?

876
00:31:33,200 --> 00:31:35,200
No, I keep paying him.

877
00:31:35,200 --> 00:31:37,200
It's fine.

878
00:31:37,200 --> 00:31:39,200
As long as money

879
00:31:39,200 --> 00:31:41,200
exchanges hands, it's fine.

880
00:31:41,200 --> 00:31:43,200
Because I thought maybe we had some sort of

881
00:31:43,200 --> 00:31:45,200
Stockholm syndrome going on where he just

882
00:31:45,200 --> 00:31:47,200
thinks. I feel like that could

883
00:31:47,200 --> 00:31:49,200
be a part of it.

884
00:31:49,200 --> 00:31:51,200
We've derailed a little bit.

885
00:31:51,200 --> 00:31:53,200
But truly, please listen to

886
00:31:53,200 --> 00:31:55,200
Facing Fate because it's really good

887
00:31:55,200 --> 00:31:57,200
and

888
00:31:57,200 --> 00:31:59,200
we work really hard on it. It's our award winning podcast.

889
00:31:59,200 --> 00:32:01,200
Russ particularly works

890
00:32:01,200 --> 00:32:03,200
very hard on it and makes it sound

891
00:32:03,200 --> 00:32:05,200
incredible and has literally won awards

892
00:32:05,200 --> 00:32:07,200
and we would really like people to listen to it.

893
00:32:07,200 --> 00:32:09,200
Please.

894
00:32:09,200 --> 00:32:11,200
Thank you.

895
00:32:11,200 --> 00:32:13,200
Now back to this episode where we're

896
00:32:13,200 --> 00:32:15,200
figuring out Pink Goop.

897
00:32:15,200 --> 00:32:17,200
I mean

898
00:32:17,200 --> 00:32:19,200
really that describes a lot of our episodes.

899
00:32:19,200 --> 00:32:21,200
I mean, be a little more

900
00:32:21,200 --> 00:32:23,200
specific for us. Show notes every time.

901
00:32:23,200 --> 00:32:25,200
Goodbye everybody! Bye!

902
00:32:25,200 --> 00:32:27,200
After

903
00:32:27,200 --> 00:32:29,200
the long

904
00:32:29,200 --> 00:32:31,200
proceeding opens

905
00:32:31,200 --> 00:32:33,200
onto a grand hall

906
00:32:33,200 --> 00:32:35,200
with a massive archway.

907
00:32:35,200 --> 00:32:37,200
A brass

908
00:32:37,200 --> 00:32:39,200
canister and portal

909
00:32:39,200 --> 00:32:41,200
exudes the pink slime

910
00:32:41,200 --> 00:32:43,200
that is pouring forth from it.

911
00:32:43,200 --> 00:32:45,200
There's a lid

912
00:32:45,200 --> 00:32:47,200
propped up off and to the

913
00:32:47,200 --> 00:32:49,200
side.

914
00:32:49,200 --> 00:32:51,200
Hey Mo, you want to just screw that lid back on?

915
00:32:51,200 --> 00:32:53,200
Sure, I'll give it a shot.

916
00:32:53,200 --> 00:32:55,200
Maybe use your

917
00:32:55,200 --> 00:32:57,200
claw hand.

918
00:32:57,200 --> 00:32:59,200
Yeah, don't, don't, don't

919
00:32:59,200 --> 00:33:01,200
touch the pink slime. Yeah, we could get some on you.

920
00:33:01,200 --> 00:33:03,200
Yuck. How good are

921
00:33:03,200 --> 00:33:05,200
crab claws? Oh, he's

922
00:33:05,200 --> 00:33:07,200
quite dextrous. I've seen him.

923
00:33:07,200 --> 00:33:09,200
I've been practicing a lot

924
00:33:09,200 --> 00:33:11,200
with it. Okay, okay.

925
00:33:11,200 --> 00:33:13,200
I feel like it'd be pretty good. It's like

926
00:33:13,200 --> 00:33:15,200
a pincer to close a

927
00:33:15,200 --> 00:33:17,200
thing. It's almost like a wrench like you threw into

928
00:33:17,200 --> 00:33:19,200
the portal. Yeah. This is something

929
00:33:19,200 --> 00:33:21,200
that the cosmic stone did not impart upon

930
00:33:21,200 --> 00:33:23,200
me, so once we know this,

931
00:33:23,200 --> 00:33:25,200
if it will work with a crab claw,

932
00:33:25,200 --> 00:33:27,200
I feel like I know everything.

933
00:33:27,200 --> 00:33:29,200
Will you then pop out of existence

934
00:33:29,200 --> 00:33:31,200
because there's no life left

935
00:33:31,200 --> 00:33:33,200
to live? We will find

936
00:33:33,200 --> 00:33:35,200
out. Oh god, Mo, do it.

937
00:33:37,200 --> 00:33:39,200
I'm just breathing in. Do it.

938
00:33:41,200 --> 00:33:43,200
He's really excited. Alright, yeah, I'll give it

939
00:33:43,200 --> 00:33:45,200
a try. You know what we haven't been rolling for

940
00:33:45,200 --> 00:33:47,200
is wild magic searches, so like

941
00:33:47,200 --> 00:33:49,200
roll four of them. Four?

942
00:33:49,200 --> 00:33:51,200
Okay. Well, you did, well, hold on,

943
00:33:51,200 --> 00:33:53,200
you did, you did two produce flames.

944
00:33:53,200 --> 00:33:55,200
You did two

945
00:33:55,200 --> 00:33:57,200
mage hands, so four

946
00:33:57,200 --> 00:33:59,200
of them. Okay. Yeah.

947
00:33:59,200 --> 00:34:01,200
Oh, I'm so excited. Me too.

948
00:34:01,200 --> 00:34:03,200
What's gonna fuck up our situation

949
00:34:03,200 --> 00:34:05,200
right now when we are like five minutes from

950
00:34:05,200 --> 00:34:07,200
completion? We're so close. Is it gonna be

951
00:34:07,200 --> 00:34:09,199
thinking about your to-do list?

952
00:34:09,199 --> 00:34:11,199
One of them was a three.

953
00:34:11,199 --> 00:34:13,199
So let's, let's fire

954
00:34:13,199 --> 00:34:15,199
some shit up.

955
00:34:15,199 --> 00:34:17,199
Alrighty then.

956
00:34:17,199 --> 00:34:19,199
Okay, now just think baseball. Baseball.

957
00:34:19,199 --> 00:34:21,199
Your grandma. Because I want to make it

958
00:34:21,199 --> 00:34:23,199
last.

959
00:34:23,199 --> 00:34:25,199
Yes?

960
00:34:25,199 --> 00:34:27,199
I lost my metaphor.

961
00:34:33,199 --> 00:34:35,199
Ninety. Ninety?

962
00:34:35,199 --> 00:34:37,199
Ninety.

963
00:34:37,199 --> 00:34:39,199
Shit.

964
00:34:39,199 --> 00:34:41,199
Mage hand goes, you see the mage hand

965
00:34:41,199 --> 00:34:43,199
doing its business,

966
00:34:43,199 --> 00:34:45,199
and it's working.

967
00:34:45,199 --> 00:34:47,199
Prefers

968
00:34:47,199 --> 00:34:49,199
to keep it private usually, but

969
00:34:49,199 --> 00:34:51,199
it's making exception this time.

970
00:34:51,199 --> 00:34:53,199
Wow. It's working.

971
00:34:53,199 --> 00:34:55,199
Moot,

972
00:34:55,199 --> 00:34:57,199
you're feeling good about it, and you

973
00:34:57,199 --> 00:34:59,199
see...

974
00:34:59,199 --> 00:35:01,199
It's working, it's working,

975
00:35:01,199 --> 00:35:03,199
you're feeling good about it.

976
00:35:03,199 --> 00:35:05,199
I'm feeling real good.

977
00:35:05,199 --> 00:35:07,199
Everybody's drawn over to

978
00:35:07,199 --> 00:35:09,199
Hillup who sees this too, and he

979
00:35:09,199 --> 00:35:11,199
begins to go, his eyes roll back,

980
00:35:11,199 --> 00:35:13,199
and he begins to mumble again.

981
00:35:13,199 --> 00:35:15,199
Jesus,

982
00:35:15,199 --> 00:35:17,199
what are we watching?

983
00:35:19,199 --> 00:35:21,199
And then

984
00:35:21,199 --> 00:35:23,199
everybody else looks back to,

985
00:35:23,199 --> 00:35:25,199
well not only Hillup, but Moot's gone.

986
00:35:25,199 --> 00:35:27,199
Oh. Hey,

987
00:35:27,199 --> 00:35:29,199
what? Okay, hold on.

988
00:35:29,199 --> 00:35:31,199
He was like just right...

989
00:35:31,199 --> 00:35:33,199
Moot?

990
00:35:33,199 --> 00:35:35,199
Moot, I don't...

991
00:35:35,199 --> 00:35:37,199
Did Hillup somehow vanish him out of existence?

992
00:35:37,199 --> 00:35:39,199
Cause he gained all the...

993
00:35:39,199 --> 00:35:41,199
I'm gonna, hold on.

994
00:35:41,199 --> 00:35:43,199
I'm gonna... And I yell into the portal.

995
00:35:43,199 --> 00:35:45,199
Moot?

996
00:35:45,199 --> 00:35:47,199
Buddy, I'll get you back

997
00:35:47,199 --> 00:35:49,199
just like I got Moof. It's okay.

998
00:35:49,199 --> 00:35:51,199
You know, I did some

999
00:35:51,199 --> 00:35:53,199
shady stuff, but

1000
00:35:53,199 --> 00:35:55,199
I'll do shadier for you, man.

1001
00:35:55,199 --> 00:35:57,199
I will, cause we're like brothers.

1002
00:35:57,199 --> 00:35:59,199
And I

1003
00:35:59,199 --> 00:36:01,199
was the one who was like, you wanna just put

1004
00:36:01,199 --> 00:36:03,199
it back on?

1005
00:36:03,199 --> 00:36:05,199
And now, I just,

1006
00:36:05,199 --> 00:36:07,199
you weren't even, you were putting

1007
00:36:07,199 --> 00:36:09,199
that, you were doing it, man. And then like

1008
00:36:09,199 --> 00:36:11,199
Hillup got all weird over here, so I'm pretty sure

1009
00:36:11,199 --> 00:36:13,199
it's 90% his fault, and now I'm just

1010
00:36:13,199 --> 00:36:15,199
talking to a portal.

1011
00:36:15,199 --> 00:36:17,199
So Moot's invisible.

1012
00:36:17,199 --> 00:36:19,199
He can hear you, but you can't

1013
00:36:19,199 --> 00:36:21,199
hear him. So what's Moot

1014
00:36:21,199 --> 00:36:23,199
doing at this moment as Sully is...

1015
00:36:23,199 --> 00:36:25,199
I'm pouring my heart out.

1016
00:36:25,199 --> 00:36:27,199
Moot is trying to keep

1017
00:36:27,199 --> 00:36:29,199
up with like the notes

1018
00:36:29,200 --> 00:36:31,200
as to what Sully is saying to him,

1019
00:36:31,200 --> 00:36:33,200
but the emotion

1020
00:36:33,200 --> 00:36:35,200
is pouring out of him so fast

1021
00:36:35,200 --> 00:36:37,200
that he can't keep up.

1022
00:36:37,200 --> 00:36:39,200
Something you have to just experience and just

1023
00:36:39,200 --> 00:36:41,200
be in the moment for.

1024
00:36:41,200 --> 00:36:43,200
The lid to this canister

1025
00:36:43,200 --> 00:36:45,200
is put back on, and you see

1026
00:36:45,200 --> 00:36:47,200
the pink goo,

1027
00:36:47,200 --> 00:36:49,200
the pink slime

1028
00:36:49,200 --> 00:36:51,200
stop flowing out of it.

1029
00:36:51,200 --> 00:36:53,200
And even begins to

1030
00:36:53,200 --> 00:36:55,200
like soak into the ground

1031
00:36:55,200 --> 00:36:57,200
and begins to slowly disappear.

1032
00:36:57,200 --> 00:36:59,200
There's a lot of it, so that takes

1033
00:36:59,200 --> 00:37:01,200
quite a while.

1034
00:37:01,200 --> 00:37:03,200
After approximately

1035
00:37:03,200 --> 00:37:05,200
a minute, Moot

1036
00:37:05,200 --> 00:37:07,200
pops back in right over Sully as

1037
00:37:07,200 --> 00:37:09,200
he's weeping

1038
00:37:09,200 --> 00:37:11,200
at the loss of his friend.

1039
00:37:11,200 --> 00:37:13,200
And I promise I'll never

1040
00:37:13,200 --> 00:37:15,200
make fun of you.

1041
00:37:17,200 --> 00:37:19,200
Welcome.

1042
00:37:19,200 --> 00:37:21,200
I was so sad.

1043
00:37:21,200 --> 00:37:23,200
I wanna roll like a grapple roll for a hug,

1044
00:37:23,200 --> 00:37:25,200
Russ.

1045
00:37:25,200 --> 00:37:27,200
One aggressive hug.

1046
00:37:27,200 --> 00:37:29,200
Roll plus strength.

1047
00:37:29,200 --> 00:37:31,200
Sully can be a little slippery.

1048
00:37:31,200 --> 00:37:33,200
It's true, yeah, you really gotta.

1049
00:37:33,200 --> 00:37:35,200
That is a 12.

1050
00:37:35,200 --> 00:37:37,200
Hold on, I wanna roll against his hug to see if I get on top.

1051
00:37:37,200 --> 00:37:39,200
Three.

1052
00:37:39,200 --> 00:37:41,200
Minus one.

1053
00:37:41,200 --> 00:37:43,200
The minus one

1054
00:37:43,200 --> 00:37:45,200
is really just the insult, isn't it?

1055
00:37:45,200 --> 00:37:47,200
While that didn't hit his armor class, I don't feel like he's trying

1056
00:37:47,200 --> 00:37:49,200
to evade you, so I think it worked.

1057
00:37:49,200 --> 00:37:51,200
We wrestle into

1058
00:37:51,200 --> 00:37:53,200
the biggest hug.

1059
00:37:53,200 --> 00:37:55,200
That's embarrassing.

1060
00:37:55,200 --> 00:37:57,200
I knew you could hear me

1061
00:37:57,200 --> 00:37:59,200
the whole time.

1062
00:37:59,200 --> 00:38:01,200
It was super sweet regardless.

1063
00:38:01,200 --> 00:38:03,200
I just want you to not feel

1064
00:38:03,200 --> 00:38:05,200
like you were alone or

1065
00:38:05,200 --> 00:38:07,200
disappeared, or that if

1066
00:38:07,200 --> 00:38:09,200
Hillop did that to you,

1067
00:38:09,200 --> 00:38:11,200
I probably would have killed him.

1068
00:38:11,200 --> 00:38:13,200
I think that you would have killed

1069
00:38:13,200 --> 00:38:15,200
Hillop for sure.

1070
00:38:15,200 --> 00:38:17,200
I just need an excuse, man.

1071
00:38:19,200 --> 00:38:21,200
Russ, did Hillop show back up?

1072
00:38:21,200 --> 00:38:23,200
He hasn't disappeared.

1073
00:38:23,200 --> 00:38:25,200
He kind of just passed out on the ground.

1074
00:38:25,200 --> 00:38:27,200
I thought he had also

1075
00:38:27,200 --> 00:38:29,200
disappeared.

1076
00:38:29,200 --> 00:38:31,200
He went back into that trance state that you

1077
00:38:31,200 --> 00:38:33,200
saw when he touched the cosmic.

1078
00:38:33,200 --> 00:38:35,200
It's now just

1079
00:38:35,200 --> 00:38:37,200
body fall on the ground.

1080
00:38:37,200 --> 00:38:39,200
So did

1081
00:38:39,200 --> 00:38:41,200
Moot close the thing?

1082
00:38:41,200 --> 00:38:43,200
Successfully, yes.

1083
00:38:43,200 --> 00:38:45,200
Isn't that kind of weird? Look at it all

1084
00:38:45,200 --> 00:38:47,200
soaking into the ground, but when

1085
00:38:47,200 --> 00:38:49,200
we took that little bit off,

1086
00:38:49,200 --> 00:38:51,200
and it was on the stick, it didn't soak

1087
00:38:51,200 --> 00:38:53,200
into the ground? How odd is that?

1088
00:38:53,200 --> 00:38:55,200
Did we just not wait long enough?

1089
00:38:55,200 --> 00:38:57,200
Or maybe there wasn't enough of it to really

1090
00:38:57,200 --> 00:38:59,200
have the soaking effect?

1091
00:38:59,200 --> 00:39:01,200
The weight of it is likely pushing it

1092
00:39:01,200 --> 00:39:03,200
because of the gravity and

1093
00:39:03,200 --> 00:39:05,200
stuff.

1094
00:39:05,200 --> 00:39:07,200
I used to be a gravitologist.

1095
00:39:07,200 --> 00:39:09,200
We came up

1096
00:39:09,200 --> 00:39:11,200
with this drug called Gravol.

1097
00:39:11,200 --> 00:39:13,200
What did it do?

1098
00:39:13,200 --> 00:39:15,200
It increased

1099
00:39:15,200 --> 00:39:17,200
how heavy you

1100
00:39:17,200 --> 00:39:19,200
were.

1101
00:39:19,200 --> 00:39:21,200
Yeah, it was really just a bunch of

1102
00:39:21,200 --> 00:39:23,200
it was just a big carbohydrate pill.

1103
00:39:23,200 --> 00:39:25,200
You'd really like that. Good for

1104
00:39:25,200 --> 00:39:27,200
carbolodine before

1105
00:39:27,200 --> 00:39:29,200
I would love that before a big

1106
00:39:29,200 --> 00:39:31,200
adventure like. Do we just kind of continue talking as we exit

1107
00:39:31,200 --> 00:39:33,200
this building and leave Hill up there?

1108
00:39:33,200 --> 00:39:35,200
How is this?

1109
00:39:37,200 --> 00:39:39,200
I guess

1110
00:39:39,200 --> 00:39:41,200
what do you want to do next?

1111
00:39:41,200 --> 00:39:43,200
Do you want to go put the guy in the bag?

1112
00:39:43,200 --> 00:39:45,200
Oh, right.

1113
00:39:45,200 --> 00:39:47,200
We're walking towards

1114
00:39:47,200 --> 00:39:49,200
and we just leave them there to fight for eternity.

1115
00:39:49,200 --> 00:39:51,200
It's fine.

1116
00:39:53,200 --> 00:39:55,200
Oh, hey guys.

1117
00:39:55,200 --> 00:39:57,200
What's happening?

1118
00:39:57,200 --> 00:39:59,200
Where are we?

1119
00:39:59,200 --> 00:40:01,200
Oh, God. Hit this again.

1120
00:40:01,200 --> 00:40:03,200
You got this.

1121
00:40:03,200 --> 00:40:05,200
This is a new room center.

1122
00:40:05,200 --> 00:40:07,200
We were in the library and now we're down

1123
00:40:07,200 --> 00:40:09,200
here.

1124
00:40:09,200 --> 00:40:11,200
Now we're down here and

1125
00:40:11,200 --> 00:40:13,200
Moot closed the thing.

1126
00:40:13,200 --> 00:40:15,200
The like pink goo

1127
00:40:15,200 --> 00:40:17,200
Yeah, the goo dispenser.

1128
00:40:17,200 --> 00:40:19,200
There's a goo dispenser?

1129
00:40:19,200 --> 00:40:21,200
You're the one you told us about.

1130
00:40:21,200 --> 00:40:23,200
You're the one that told us.

1131
00:40:23,200 --> 00:40:25,200
I did?

1132
00:40:25,200 --> 00:40:27,200
That sounds really smart of me.

1133
00:40:27,200 --> 00:40:29,200
What about the two battling wizards?

1134
00:40:29,200 --> 00:40:31,200
What about the two?

1135
00:40:31,200 --> 00:40:33,200
Yeah, we saw the two battling

1136
00:40:33,200 --> 00:40:35,200
wizards. I was going

1137
00:40:35,200 --> 00:40:37,200
to deflect. Right. Okay, so

1138
00:40:37,200 --> 00:40:39,200
just one question. If you had

1139
00:40:39,200 --> 00:40:41,200
to put your

1140
00:40:41,200 --> 00:40:43,200
knowledge of the whole universe

1141
00:40:43,200 --> 00:40:45,200
on a scale of

1142
00:40:45,200 --> 00:40:47,200
Pilip to a really, really

1143
00:40:47,200 --> 00:40:49,200
smart person, where would

1144
00:40:49,200 --> 00:40:51,200
you put that?

1145
00:40:51,200 --> 00:40:53,200
Pilip is a really, really smart

1146
00:40:53,200 --> 00:40:55,200
person so that's like a linear

1147
00:40:55,200 --> 00:40:57,200
He's like leaked out to him or something.

1148
00:40:57,200 --> 00:40:59,200
It's like a linear motion.

1149
00:40:59,200 --> 00:41:01,200
The pink goo was

1150
00:41:01,200 --> 00:41:03,200
Okay, it's nice to have

1151
00:41:03,200 --> 00:41:05,200
you back. Yeah, into the elevator.

1152
00:41:05,200 --> 00:41:07,200
Go on. It's good to be back. Alright.

1153
00:41:07,200 --> 00:41:09,200
Back into the elevator. Here we go.

1154
00:41:11,200 --> 00:41:13,200
So when you

1155
00:41:13,200 --> 00:41:15,200
say you're on a shoestring

1156
00:41:15,200 --> 00:41:17,200
budget

1157
00:41:17,200 --> 00:41:19,200
does that mean

1158
00:41:19,200 --> 00:41:21,200
you can only buy shoestrings?

1159
00:41:21,200 --> 00:41:23,200
I don't know

1160
00:41:23,200 --> 00:41:25,200
what else

1161
00:41:25,200 --> 00:41:27,200
that could

1162
00:41:27,200 --> 00:41:29,200
I mean there's those

1163
00:41:29,200 --> 00:41:31,200
really skinny french fries but that can't be

1164
00:41:31,200 --> 00:41:33,200
related.

1165
00:41:33,200 --> 00:41:35,200
Shoestring

1166
00:41:35,200 --> 00:41:37,200
budget

1167
00:41:37,200 --> 00:41:39,200
Which floor are we going to?

1168
00:41:39,200 --> 00:41:41,200
Which floor are we going to, hey?

1169
00:41:41,200 --> 00:41:43,200
Oh, it's up a little bit.

1170
00:41:43,200 --> 00:41:45,200
Back to 6 where

1171
00:41:45,200 --> 00:41:47,200
the wizards were I think.

1172
00:41:49,200 --> 00:41:51,200
So is it

1173
00:41:51,200 --> 00:41:53,200
I mean I really don't even know

1174
00:41:53,200 --> 00:41:55,200
context clues are not helping in this one.

1175
00:41:55,200 --> 00:41:57,200
Maybe you can only buy shoestrings

1176
00:41:57,200 --> 00:41:59,200
or you gotta sell your shoestrings

1177
00:41:59,200 --> 00:42:01,200
because that was like a hot commodity

1178
00:42:01,200 --> 00:42:03,200
so if you're on a shoestring budget

1179
00:42:03,200 --> 00:42:05,200
it's like oh I gotta sell my shoelaces.

1180
00:42:05,200 --> 00:42:07,200
And I mean, are we

1181
00:42:07,200 --> 00:42:09,200
That's why I was just going to say are we assuming

1182
00:42:09,200 --> 00:42:11,200
shoestrings are shoelaces?

1183
00:42:11,200 --> 00:42:13,200
Because shoestrings would be a weird

1184
00:42:13,200 --> 00:42:15,200
way of saying that.

1185
00:42:15,200 --> 00:42:17,200
I can help with that. Your friendly neighborhood

1186
00:42:17,200 --> 00:42:19,200
encyclopedia.

1187
00:42:19,200 --> 00:42:21,200
Though this is

1188
00:42:21,200 --> 00:42:23,200
a little passage here.

1189
00:42:37,200 --> 00:42:39,200
Shoestring to a small amount of money.

1190
00:42:41,200 --> 00:42:43,200
Wow.

1191
00:42:43,200 --> 00:42:45,200
Shit son.

1192
00:42:45,200 --> 00:42:47,200
Should we like separate these jabronis

1193
00:42:47,200 --> 00:42:49,200
and just like I don't know.

1194
00:42:49,200 --> 00:42:51,200
What do we do with them? You told me not to deflect

1195
00:42:51,200 --> 00:42:53,200
their magics. How do we stop the

1196
00:42:53,200 --> 00:42:55,200
magics and then

1197
00:42:55,200 --> 00:42:57,200
Maybe we put one of them through the portal.

1198
00:42:57,200 --> 00:42:59,200
Wow.

1199
00:42:59,200 --> 00:43:01,200
Like there was a portal to space.

1200
00:43:01,200 --> 00:43:03,200
This one seems like he has space boots

1201
00:43:03,200 --> 00:43:05,200
on. Maybe he would

1202
00:43:05,200 --> 00:43:07,200
I mean he does have like a space kind of

1203
00:43:07,200 --> 00:43:09,200
look but

1204
00:43:09,200 --> 00:43:11,200
I guess morally I

1205
00:43:11,200 --> 00:43:13,200
just don't know which one's the good guy and which

1206
00:43:13,200 --> 00:43:15,200
one's the bad guy. If I slapped him would it take

1207
00:43:15,200 --> 00:43:17,200
12 hours for him to feel the sting

1208
00:43:17,200 --> 00:43:19,200
in my hand? Probably.

1209
00:43:19,200 --> 00:43:21,200
That seems like how

1210
00:43:21,200 --> 00:43:23,200
time works. I

1211
00:43:23,200 --> 00:43:25,200
want to investigate this room and see like is there

1212
00:43:25,200 --> 00:43:27,200
something that has slowed them down?

1213
00:43:27,200 --> 00:43:29,200
Sort of like I don't know

1214
00:43:29,200 --> 00:43:31,200
time testicles. And like

1215
00:43:31,200 --> 00:43:33,200
they're twisted. Yep.

1216
00:43:33,200 --> 00:43:35,200
Sounds about right.

1217
00:43:35,200 --> 00:43:37,200
Carla's laughing.

1218
00:43:37,200 --> 00:43:39,200
You laugh every time. Guys I'm not

1219
00:43:39,200 --> 00:43:41,200
laughing at my own joke. I'm laughing at Carla

1220
00:43:41,200 --> 00:43:43,200
laughing at my joke.

1221
00:43:43,200 --> 00:43:45,200
The testicular torsion of the

1222
00:43:45,200 --> 00:43:47,200
time testicles. That's right. It happens.

1223
00:43:47,200 --> 00:43:49,200
It's a thing. Yeah. Just hanging

1224
00:43:49,200 --> 00:43:51,200
in the center of the room there are two

1225
00:43:51,200 --> 00:43:53,200
ovular

1226
00:43:53,200 --> 00:43:55,200
balls hanging

1227
00:43:55,200 --> 00:43:57,200
from the center of the ceiling

1228
00:43:57,200 --> 00:43:59,200
and they appear to be contorted.

1229
00:43:59,200 --> 00:44:01,200
In a fleshy kind of sack. Yeah.

1230
00:44:01,200 --> 00:44:03,200
It's veiny and fleshy and they

1231
00:44:03,200 --> 00:44:05,200
appear to be interwoven

1232
00:44:05,200 --> 00:44:07,200
in an uncomfortable way that

1233
00:44:07,200 --> 00:44:09,200
maybe should probably be dealt with

1234
00:44:09,200 --> 00:44:11,200
see a doctor. Not

1235
00:44:11,200 --> 00:44:13,200
not what we're about

1236
00:44:13,200 --> 00:44:15,200
to do. Yeah. I mean I

1237
00:44:15,200 --> 00:44:17,200
don't want to touch him but also I'm super

1238
00:44:17,200 --> 00:44:19,200
short. I'll say it.

1239
00:44:19,200 --> 00:44:21,200
I know we'd all been thinking it.

1240
00:44:21,200 --> 00:44:23,200
I am shorter than the

1241
00:44:23,200 --> 00:44:25,200
average. Yes even more so than

1242
00:44:25,200 --> 00:44:27,200
Moot when he lost those seven inches.

1243
00:44:27,200 --> 00:44:29,200
Moot I hate to ask

1244
00:44:29,200 --> 00:44:31,200
because I feel like we've really depended

1245
00:44:31,200 --> 00:44:33,200
on you a number of times

1246
00:44:33,200 --> 00:44:35,200
in the last you know 30

1247
00:44:35,200 --> 00:44:37,200
to 40 minutes but do you

1248
00:44:37,200 --> 00:44:39,200
think that your claw could untwist

1249
00:44:39,200 --> 00:44:41,200
the testicular

1250
00:44:41,200 --> 00:44:43,200
time torsion or

1251
00:44:43,200 --> 00:44:45,200
is that possible? I mean

1252
00:44:45,200 --> 00:44:47,200
I say we give it a shot. Wait hold on

1253
00:44:47,200 --> 00:44:49,200
and I want I want to go over and I

1254
00:44:49,200 --> 00:44:51,200
want to like pull

1255
00:44:51,200 --> 00:44:53,200
the guy whose

1256
00:44:53,200 --> 00:44:55,200
town is named after him

1257
00:44:55,200 --> 00:44:57,200
but he's an adult so I can't remember.

1258
00:44:57,200 --> 00:44:59,200
Magi Bon Jovi

1259
00:44:59,200 --> 00:45:01,200
out of the way

1260
00:45:01,200 --> 00:45:03,200
of the oncoming

1261
00:45:03,200 --> 00:45:05,200
spells. Okay.

1262
00:45:05,200 --> 00:45:07,200
Great idea. Hey

1263
00:45:07,200 --> 00:45:09,200
do you want to move the other

1264
00:45:09,200 --> 00:45:11,200
dude maybe away so they don't blast

1265
00:45:11,200 --> 00:45:13,200
each other. Who knows what that'll be like.

1266
00:45:13,200 --> 00:45:15,200
Sure yeah yeah yeah yeah.

1267
00:45:15,200 --> 00:45:17,200
Yeah that's a great idea.

1268
00:45:17,200 --> 00:45:19,200
Okay so let's pull

1269
00:45:19,200 --> 00:45:21,200
him.

1270
00:45:21,200 --> 00:45:23,200
She's so heavy.

1271
00:45:23,200 --> 00:45:25,200
I mean it's perfect.

1272
00:45:25,200 --> 00:45:27,200
More upper body strength with Zumba.

1273
00:45:27,200 --> 00:45:29,200
You can't just stay in the office all the time.

1274
00:45:29,200 --> 00:45:31,200
You can't you need

1275
00:45:31,200 --> 00:45:33,200
to. Well I'm pushing papers

1276
00:45:33,200 --> 00:45:35,200
you know you're out there adventuring

1277
00:45:35,200 --> 00:45:37,200
and doing all the things with your

1278
00:45:37,200 --> 00:45:39,200
big big arms

1279
00:45:39,200 --> 00:45:41,200
and I'm just sitting there like

1280
00:45:41,200 --> 00:45:43,200
oh got to bAlydince the books

1281
00:45:43,200 --> 00:45:45,200
oh got to take over the new

1282
00:45:45,200 --> 00:45:47,200
competition oh

1283
00:45:47,200 --> 00:45:49,200
This seems like an elevator competition.

1284
00:45:49,200 --> 00:45:51,200
It does. Okay so

1285
00:45:51,200 --> 00:45:53,200
I'm gonna I'll just I'm just gonna

1286
00:45:53,200 --> 00:45:55,200
help. Okay just okay.

1287
00:45:55,200 --> 00:45:57,200
I got it.

1288
00:45:57,200 --> 00:45:59,200
We are doing it together. I'm glad I'm helping

1289
00:45:59,200 --> 00:46:01,200
you because otherwise this would be so

1290
00:46:01,200 --> 00:46:03,200
difficult for just you.

1291
00:46:03,200 --> 00:46:05,200
Absolutely. Just make

1292
00:46:05,200 --> 00:46:07,200
sure you use your knees. Yeah I think I

1293
00:46:07,200 --> 00:46:09,200
have hernia.

1294
00:46:09,200 --> 00:46:11,200
Maybe Moot's crab

1295
00:46:11,200 --> 00:46:13,200
claw can fix that.

1296
00:46:13,200 --> 00:46:15,200
Well

1297
00:46:15,200 --> 00:46:17,200
okay.

1298
00:46:17,200 --> 00:46:19,200
I mean how big or small

1299
00:46:19,200 --> 00:46:21,200
can you make this thing. Can you make it like magic

1300
00:46:21,200 --> 00:46:23,200
school bus size when it shrinks down

1301
00:46:23,200 --> 00:46:25,200
and goes inside of a cut.

1302
00:46:25,200 --> 00:46:27,200
Push the intestine back up through

1303
00:46:27,200 --> 00:46:29,200
the wall. I mean I don't think

1304
00:46:29,200 --> 00:46:31,200
I can ant-man it that small.

1305
00:46:31,200 --> 00:46:33,200
I'm just curious. I don't know. Okay.

1306
00:46:33,200 --> 00:46:35,200
So they have been moved to the side.

1307
00:46:35,200 --> 00:46:37,200
I have the plate.

1308
00:46:37,200 --> 00:46:39,200
Do we hit the balls?

1309
00:46:39,200 --> 00:46:41,200
No put the plate down. I don't think we want to

1310
00:46:41,200 --> 00:46:43,200
like ricochet anything. Right now they're gonna

1311
00:46:43,200 --> 00:46:45,200
shoot full wood and hit nothing

1312
00:46:45,200 --> 00:46:47,200
but wall. We'll just

1313
00:46:47,200 --> 00:46:49,200
stay out of the way.

1314
00:46:49,200 --> 00:46:51,200
I'm just gonna just go up and twist

1315
00:46:51,200 --> 00:46:53,200
the balls. Alright Moot's

1316
00:46:53,200 --> 00:46:55,200
go twist the balls. I'm standing off to the

1317
00:46:55,200 --> 00:46:57,200
side here. My safe word

1318
00:46:57,200 --> 00:46:59,200
is pineapple. Alright quick

1319
00:46:59,200 --> 00:47:01,200
countdown to ball twisting.

1320
00:47:01,200 --> 00:47:03,200
Three two and one.

1321
00:47:03,200 --> 00:47:05,200
Oh what sound effect runs?

1322
00:47:05,200 --> 00:47:07,200
Twist those balls.

1323
00:47:07,200 --> 00:47:09,200
Oh they

1324
00:47:09,200 --> 00:47:11,200
were very twisted.

1325
00:47:11,200 --> 00:47:13,200
I really gave it like some force

1326
00:47:13,200 --> 00:47:15,200
to it. Well you hit it like a

1327
00:47:15,200 --> 00:47:17,200
tether ball.

1328
00:47:19,200 --> 00:47:21,200
That's what it was like.

1329
00:47:21,200 --> 00:47:23,200
You ducked out of the way. These two balls are

1330
00:47:23,200 --> 00:47:25,200
now free from their

1331
00:47:25,200 --> 00:47:27,200
torsion. Somewhere in the building

1332
00:47:27,200 --> 00:47:29,200
breathes a sigh of relief.

1333
00:47:29,200 --> 00:47:31,200
Oh god.

1334
00:47:33,200 --> 00:47:35,200
The spells reactivate. The two

1335
00:47:35,200 --> 00:47:37,200
wizards lose their bAlydince

1336
00:47:37,200 --> 00:47:39,200
and fall to the ground.

1337
00:47:39,200 --> 00:47:41,200
They scream and stand up and

1338
00:47:41,200 --> 00:47:43,200
begin to move to

1339
00:47:43,200 --> 00:47:45,200
fire another spell at each other.

1340
00:47:45,200 --> 00:47:47,200
Stop please.

1341
00:47:47,200 --> 00:47:49,200
Why? We got rid of the pink goo

1342
00:47:49,200 --> 00:47:51,200
so you could just like maybe take

1343
00:47:51,200 --> 00:47:53,200
it down. I am

1344
00:47:53,200 --> 00:47:55,200
this is the voice

1345
00:47:55,200 --> 00:47:57,200
of Magi Bonvai.

1346
00:47:57,200 --> 00:47:59,200
Thank you.

1347
00:47:59,200 --> 00:48:01,200
That's nice.

1348
00:48:01,200 --> 00:48:03,200
This is the voice of Sullivan's Light.

1349
00:48:03,200 --> 00:48:05,200
Very nice to meet you.

1350
00:48:05,200 --> 00:48:07,200
Yeah you too. This is my arch

1351
00:48:07,200 --> 00:48:09,200
nemesis the Inhumanist.

1352
00:48:09,200 --> 00:48:11,200
Yes I am the Inhumanist.

1353
00:48:11,200 --> 00:48:13,200
Very different from Magi Bonvai.

1354
00:48:13,200 --> 00:48:15,200
You don't like humans? Cool.

1355
00:48:15,200 --> 00:48:17,200
No. Not

1356
00:48:17,200 --> 00:48:19,200
specifically.

1357
00:48:19,200 --> 00:48:21,200
Are you not human?

1358
00:48:21,200 --> 00:48:23,200
Not exactly.

1359
00:48:23,200 --> 00:48:25,200
Did you know that this world is filled with

1360
00:48:25,200 --> 00:48:27,200
not humans? Yeah.

1361
00:48:27,200 --> 00:48:29,200
Okay. But you don't like humans?

1362
00:48:29,200 --> 00:48:31,200
Well just this one specifically.

1363
00:48:31,200 --> 00:48:33,200
The Inhumanist. Oh wow.

1364
00:48:33,200 --> 00:48:35,200
You have named your whole

1365
00:48:35,200 --> 00:48:37,200
persona after your dislike?

1366
00:48:37,200 --> 00:48:39,200
This guy? He goes through the

1367
00:48:39,200 --> 00:48:41,200
anuses and drops all his garbage

1368
00:48:41,200 --> 00:48:43,200
and just leaves it

1369
00:48:43,200 --> 00:48:45,200
everywhere.

1370
00:48:45,200 --> 00:48:47,200
Is this true Bon Jovi?

1371
00:48:47,200 --> 00:48:49,200
Well it's the best way to

1372
00:48:49,200 --> 00:48:51,200
get rid of all the failed projects.

1373
00:48:51,200 --> 00:48:53,200
You just

1374
00:48:53,200 --> 00:48:55,200
remove them. Well but you're removing

1375
00:48:55,200 --> 00:48:57,200
them to somewhere else. They don't just

1376
00:48:57,200 --> 00:48:59,200
disappear. Yeah they disappear.

1377
00:48:59,200 --> 00:49:01,200
I did that for a

1378
00:49:01,200 --> 00:49:03,200
while and then

1379
00:49:03,200 --> 00:49:05,200
they brought pitchforks and

1380
00:49:05,200 --> 00:49:07,200
torches and then I

1381
00:49:07,200 --> 00:49:09,200
said okay. Okay.

1382
00:49:09,200 --> 00:49:11,200
Slow your roll.

1383
00:49:11,200 --> 00:49:13,200
Oh I don't like this guy. I will

1384
00:49:13,200 --> 00:49:15,200
allow it to go through a

1385
00:49:15,200 --> 00:49:17,200
portal which really

1386
00:49:17,200 --> 00:49:19,200
everybody knows is just an anus to another

1387
00:49:19,200 --> 00:49:21,200
universe but then they can deal

1388
00:49:21,200 --> 00:49:23,200
with it. Well here's a hole you didn't know

1389
00:49:23,200 --> 00:49:25,200
you needed. However

1390
00:49:25,200 --> 00:49:27,200
it does sound like it's this guy's front yard.

1391
00:49:27,200 --> 00:49:29,200
I mean you could just

1392
00:49:29,200 --> 00:49:31,200
get like a bag of holding or something?

1393
00:49:31,200 --> 00:49:33,200
That only holds so much.

1394
00:49:33,200 --> 00:49:35,200
Well pocket

1395
00:49:35,200 --> 00:49:37,200
dimension. My dude.

1396
00:49:37,200 --> 00:49:39,200
Pocket dimension.

1397
00:49:39,200 --> 00:49:41,200
Yeah somebody else's

1398
00:49:41,200 --> 00:49:43,200
pockets. I mean you're being a

1399
00:49:43,200 --> 00:49:45,200
terrible neighbor.

1400
00:49:45,200 --> 00:49:47,200
It's real shitty actually.

1401
00:49:47,200 --> 00:49:49,200
I shouldn't have moved you. I could have left you

1402
00:49:49,200 --> 00:49:51,200
where you were. You come into

1403
00:49:51,200 --> 00:49:53,200
my house and

1404
00:49:53,200 --> 00:49:55,200
solve your

1405
00:49:55,200 --> 00:49:57,200
problem? Save you?

1406
00:49:57,200 --> 00:49:59,200
Yeah. Save you from a problem

1407
00:49:59,200 --> 00:50:01,200
of your own creation? And then call

1408
00:50:01,200 --> 00:50:03,200
me names?

1409
00:50:03,200 --> 00:50:05,200
I want to slap them.

1410
00:50:05,200 --> 00:50:07,200
And I want to

1411
00:50:07,200 --> 00:50:09,200
use my master's hand wraps.

1412
00:50:09,200 --> 00:50:11,200
Now you can read your character sheet.

1413
00:50:11,200 --> 00:50:13,200
What do the master's hand wraps do?

1414
00:50:13,200 --> 00:50:15,200
That's right. I have a plus two bonus to my

1415
00:50:15,200 --> 00:50:17,200
unarmored armor class.

1416
00:50:17,200 --> 00:50:19,200
They also add

1417
00:50:19,200 --> 00:50:21,200
additional might to my blows. I've got plus

1418
00:50:21,200 --> 00:50:23,200
three to attack and damage rules made

1419
00:50:23,200 --> 00:50:25,200
with my unarmed strikes.

1420
00:50:25,200 --> 00:50:27,200
And the fabric can be used to strike

1421
00:50:27,200 --> 00:50:29,200
out at the opponents.

1422
00:50:29,200 --> 00:50:31,200
They extend. Yeah like

1423
00:50:31,200 --> 00:50:33,200
just snapping a towel in

1424
00:50:33,200 --> 00:50:35,200
the locker room. They can also

1425
00:50:35,200 --> 00:50:37,200
I can make a single special unarmed strike

1426
00:50:37,200 --> 00:50:39,200
against a creature within 30 feet.

1427
00:50:39,200 --> 00:50:41,200
And that creature takes additional

1428
00:50:41,200 --> 00:50:43,200
martial art die of damage in addition

1429
00:50:43,200 --> 00:50:45,200
to the normal damage from the unarmed strike.

1430
00:50:45,200 --> 00:50:47,200
And if the creature is large or

1431
00:50:47,200 --> 00:50:49,200
smaller

1432
00:50:49,200 --> 00:50:51,200
or anywhere in between apparently

1433
00:50:51,200 --> 00:50:53,200
you pull the creature up to 10

1434
00:50:53,200 --> 00:50:55,200
feet closer to you. Okay do

1435
00:50:55,200 --> 00:50:57,200
it. I'm gonna hit him.

1436
00:50:57,200 --> 00:50:59,200
I don't think

1437
00:50:59,200 --> 00:51:01,200
anything that that's gonna do

1438
00:51:01,200 --> 00:51:03,200
is gonna do.

1439
00:51:03,200 --> 00:51:05,200
Seven.

1440
00:51:05,200 --> 00:51:07,200
That was with your plus

1441
00:51:07,200 --> 00:51:09,200
three? Yeah.

1442
00:51:09,200 --> 00:51:11,200
And my plus one to attack. But like

1443
00:51:11,200 --> 00:51:13,200
he didn't see it coming so maybe. He didn't see

1444
00:51:13,200 --> 00:51:15,200
it coming. So it's like

1445
00:51:15,200 --> 00:51:17,200
you know when someone has a slap fight.

1446
00:51:17,200 --> 00:51:19,200
What are you doing? Well I'm trying to slap

1447
00:51:19,200 --> 00:51:21,200
some sense into you but you know what? I've gone through

1448
00:51:21,200 --> 00:51:23,200
a lot. It's been an emotional rollercoaster.

1449
00:51:23,200 --> 00:51:25,200
Fair enough. Fair enough. You disappeared

1450
00:51:25,200 --> 00:51:27,200
for a little bit. It's true I did. Oh.

1451
00:51:27,200 --> 00:51:29,200
Very cool. Did you walk

1452
00:51:29,200 --> 00:51:31,200
through a portal? No.

1453
00:51:31,200 --> 00:51:33,200
Interesting.

1454
00:51:33,200 --> 00:51:35,200
Well I

1455
00:51:35,200 --> 00:51:37,200
appreciate you coming to my home.

1456
00:51:37,200 --> 00:51:39,200
I appreciate you calling me names. I appreciate you

1457
00:51:39,200 --> 00:51:41,200
saving my life.

1458
00:51:41,200 --> 00:51:43,200
I need it on the last one

1459
00:51:43,200 --> 00:51:45,200
but that's okay.

1460
00:51:45,200 --> 00:51:47,200
Turning off the pink valve. That was

1461
00:51:47,200 --> 00:51:49,200
probably good for the

1462
00:51:49,200 --> 00:51:51,200
surrounding community. Everybody doing

1463
00:51:51,200 --> 00:51:53,200
okay there. He goes and looks out the windows

1464
00:51:53,200 --> 00:51:55,200
and oh there's quite a lot.

1465
00:51:55,200 --> 00:51:57,200
And some of them turned cannibals. Yeah.

1466
00:51:57,200 --> 00:51:59,200
Yeah if you touch the goo. Dude they were

1467
00:51:59,200 --> 00:52:01,200
eating each other. It takes over your body

1468
00:52:01,200 --> 00:52:03,200
and then eventually

1469
00:52:03,200 --> 00:52:05,200
it saps your life energy

1470
00:52:05,200 --> 00:52:07,200
and then becomes you and then

1471
00:52:07,200 --> 00:52:09,200
you are now just a pink goo

1472
00:52:09,200 --> 00:52:11,200
monster.

1473
00:52:11,200 --> 00:52:13,200
And you think you're still the good guy

1474
00:52:13,200 --> 00:52:15,200
in this scenario? This was his pink goo

1475
00:52:15,200 --> 00:52:17,200
he was releasing into my backyard.

1476
00:52:17,200 --> 00:52:19,200
So really it's his problem.

1477
00:52:19,200 --> 00:52:21,200
I tried to turn it off

1478
00:52:21,200 --> 00:52:23,200
and he was like

1479
00:52:23,200 --> 00:52:25,200
lesson learned or some

1480
00:52:25,200 --> 00:52:27,200
bullshit like that.

1481
00:52:27,200 --> 00:52:29,200
So can you like do the pocket dimension

1482
00:52:29,200 --> 00:52:31,200
thing? So I don't throw my garbage

1483
00:52:31,200 --> 00:52:33,200
in his backyard? Yes.

1484
00:52:33,200 --> 00:52:35,200
It seems to have caused a whole problem.

1485
00:52:35,200 --> 00:52:37,200
I'll throw inhumanist.

1486
00:52:37,200 --> 00:52:39,200
It's been a pleasure fighting with you. I will

1487
00:52:39,200 --> 00:52:41,200
no longer need your front yard

1488
00:52:41,200 --> 00:52:43,200
as my disposal

1489
00:52:43,200 --> 00:52:45,200
unit for all of my failed

1490
00:52:45,200 --> 00:52:47,200
projects. I

1491
00:52:47,200 --> 00:52:49,200
will throw

1492
00:52:49,200 --> 00:52:51,200
it into a pocket dimension and hope

1493
00:52:51,200 --> 00:52:53,200
that that doesn't show up on some

1494
00:52:53,200 --> 00:52:55,200
interplanar

1495
00:52:55,200 --> 00:52:57,200
monster's doorstep and then come deal

1496
00:52:57,200 --> 00:52:59,200
with that. I'm sure these fine folks will come back

1497
00:52:59,200 --> 00:53:01,200
and help me with that one too.

1498
00:53:01,200 --> 00:53:03,200
Well if it ends up being an angry

1499
00:53:03,200 --> 00:53:05,200
unicorn I will not be helping you

1500
00:53:05,200 --> 00:53:07,200
with that. No. Wait that's a hard no.

1501
00:53:07,200 --> 00:53:09,200
No unicorns. We do have

1502
00:53:09,200 --> 00:53:11,200
lines and standards.

1503
00:53:11,200 --> 00:53:13,200
Perfect. Alright.

1504
00:53:13,200 --> 00:53:15,200
Inhumanist is that? I know

1505
00:53:15,200 --> 00:53:17,200
it's not. I mean you got some vengeance

1506
00:53:17,200 --> 00:53:19,200
and like if he stops doing it...

1507
00:53:19,200 --> 00:53:21,200
Kind of wrecked a whole town. Yeah that was

1508
00:53:21,200 --> 00:53:23,200
pretty cool. That was pretty

1509
00:53:23,200 --> 00:53:25,200
rad. Getting

1510
00:53:25,200 --> 00:53:27,200
some kick backs

1511
00:53:27,200 --> 00:53:29,200
there.

1512
00:53:29,200 --> 00:53:31,200
Really just sticking it to him.

1513
00:53:31,200 --> 00:53:33,200
Sticking it to him. I'm sure he appreciated all those

1514
00:53:33,200 --> 00:53:35,200
people paying him taxes.

1515
00:53:35,200 --> 00:53:37,200
Gonna have to really work on

1516
00:53:37,200 --> 00:53:39,200
that one moving forward for him.

1517
00:53:39,200 --> 00:53:41,200
We'll mention it to Queen

1518
00:53:41,200 --> 00:53:43,200
Calacrest. I don't know who that

1519
00:53:43,200 --> 00:53:45,200
is. I'm from another dimension. Is your

1520
00:53:45,200 --> 00:53:47,200
name actually Inhuman? I am the

1521
00:53:47,200 --> 00:53:49,200
Inhumanist. Yes

1522
00:53:49,200 --> 00:53:51,200
what's your mama called you? No my

1523
00:53:51,200 --> 00:53:53,200
mama called me Leonard.

1524
00:53:53,200 --> 00:53:55,200
Oh ok well you know what Leonard...

1525
00:53:55,200 --> 00:53:57,200
Nice to meet you. So much better. You were

1526
00:53:57,200 --> 00:53:59,200
wrecking Leonard's yard.

1527
00:53:59,200 --> 00:54:01,200
You're a bad man. Well I didn't

1528
00:54:01,200 --> 00:54:03,200
know his name was Leonard. I would have probably

1529
00:54:03,200 --> 00:54:05,200
been able to connect with him a little bit more

1530
00:54:05,200 --> 00:54:07,200
if he gave me his name. He came in and was like

1531
00:54:07,200 --> 00:54:09,200
I am the Inhumanist.

1532
00:54:09,200 --> 00:54:11,200
In that exact voice.

1533
00:54:11,200 --> 00:54:13,200
Then he started releasing pink goo.

1534
00:54:13,200 --> 00:54:15,200
Can't talk to this guy anymore.

1535
00:54:15,200 --> 00:54:17,200
It's been a really long night.

1536
00:54:17,200 --> 00:54:19,200
Moot disappeared. Yeah I think

1537
00:54:19,200 --> 00:54:21,200
Yeah.

1538
00:54:21,200 --> 00:54:23,200
And Hillop's still here. I am still

1539
00:54:23,200 --> 00:54:25,200
here. How many bad things have

1540
00:54:25,200 --> 00:54:27,200
happened? Well let's

1541
00:54:27,200 --> 00:54:29,200
talk about on the elevator ride down.

1542
00:54:29,200 --> 00:54:31,200
It seems like these fine folks have

1543
00:54:31,200 --> 00:54:33,200
cleared up their garbage problems.

1544
00:54:33,200 --> 00:54:35,200
Yeah you guys are grown ups. Figure it out.

1545
00:54:35,200 --> 00:54:37,200
They can just sling spells

1546
00:54:37,200 --> 00:54:39,200
at each other for all we care. Maybe they will

1547
00:54:39,200 --> 00:54:41,200
take each other out and then

1548
00:54:41,200 --> 00:54:43,200
who knows what will happen after that.

1549
00:54:43,200 --> 00:54:45,200
Let's ride the big machine back.

1550
00:54:45,200 --> 00:54:47,200
Careful

1551
00:54:47,200 --> 00:54:49,200
The big machine will probably try to

1552
00:54:49,200 --> 00:54:51,200
kill you. I usually turn it off

1553
00:54:51,200 --> 00:54:53,200
but I've been locked in

1554
00:54:53,200 --> 00:54:55,200
a time interstitial time status.

1555
00:54:55,200 --> 00:54:57,200
Why do you have it?

1556
00:54:57,200 --> 00:54:59,200
To protect the village.

1557
00:54:59,200 --> 00:55:01,200
That didn't work so great with the pink goo.

1558
00:55:01,200 --> 00:55:03,200
Well machines have their limitations.

1559
00:55:03,200 --> 00:55:05,200
And it tried to kill us as we tried to

1560
00:55:05,200 --> 00:55:07,200
come help the village. Well you

1561
00:55:07,200 --> 00:55:09,200
were an intruder to the village and it tried

1562
00:55:09,200 --> 00:55:11,200
to kill you. So it was actually doing its job.

1563
00:55:11,200 --> 00:55:13,200
This may actually be a problem

1564
00:55:13,200 --> 00:55:15,200
also to solve

1565
00:55:15,200 --> 00:55:17,200
about the whole like trade in

1566
00:55:17,200 --> 00:55:19,200
situation and like the vendors

1567
00:55:19,200 --> 00:55:21,200
that tried to come through and

1568
00:55:21,200 --> 00:55:23,200
things like that. Have you noticed that

1569
00:55:23,200 --> 00:55:25,200
slowed down? It's just something to think about. Anyway

1570
00:55:25,200 --> 00:55:27,200
why don't we go back and do our

1571
00:55:27,200 --> 00:55:29,200
report because this is not without

1572
00:55:29,200 --> 00:55:31,200
it's paperwork and

1573
00:55:31,200 --> 00:55:33,200
get that to Queen Caligris.

1574
00:55:33,200 --> 00:55:35,200
Tell her I said hello.

1575
00:55:35,200 --> 00:55:37,200
I will not.

1576
00:55:37,200 --> 00:55:39,200
We fade out on Mooklim and

1577
00:55:39,200 --> 00:55:41,200
Sully traveling.

1578
00:55:41,200 --> 00:55:43,200
I've not elevated you.

1579
00:55:43,200 --> 00:55:45,200
So many important conversations

1580
00:55:45,200 --> 00:55:47,200
happening in that elevator.

1581
00:55:47,200 --> 00:55:49,200
So you guys did you know that the cosmos

1582
00:55:49,200 --> 00:55:51,200
is a pretty big and wild place?

1583
00:55:51,200 --> 00:55:53,200
It's starting to flood back to me that I

1584
00:55:53,200 --> 00:55:55,200
have all of the information in

1585
00:55:55,200 --> 00:55:57,200
the world. Maybe

1586
00:55:57,200 --> 00:55:59,200
there's like worlds beyond worlds

1587
00:55:59,200 --> 00:56:01,200
beyond worlds and gods that are

1588
00:56:01,200 --> 00:56:03,200
gods of gods and then

1589
00:56:03,200 --> 00:56:05,200
maybe time streams

1590
00:56:05,200 --> 00:56:07,200
are like woven

1591
00:56:07,200 --> 00:56:09,200
and interchanged and if you

1592
00:56:09,200 --> 00:56:11,200
affect one it shoots

1593
00:56:11,200 --> 00:56:13,200
off until one day

1594
00:56:13,200 --> 00:56:15,200
it maybe comes back in

1595
00:56:15,200 --> 00:56:17,200
a future and collides

1596
00:56:17,200 --> 00:56:19,200
and then takes over

1597
00:56:19,200 --> 00:56:21,200
and then the people that were

1598
00:56:21,200 --> 00:56:23,200
in one maybe merge and

1599
00:56:23,200 --> 00:56:25,200
some people stay there.

1600
00:56:35,200 --> 00:56:37,200
Dumbgeons and Dragons season

1601
00:56:37,200 --> 00:56:39,200
2 episode 134

1602
00:56:39,200 --> 00:56:41,200
starring Amy More as Sully,

1603
00:56:41,200 --> 00:56:43,200
Carla Max Dead as Glim, Tom Laird

1604
00:56:43,200 --> 00:56:45,200
as Moot, and Russ More as your dungeon

1605
00:56:45,200 --> 00:56:47,200
master. Editing by Russ More.

1606
00:56:47,200 --> 00:56:49,200
This episode featured music from Epidemic

1607
00:56:49,200 --> 00:56:51,200
Sound, Artlist, and Kavin McCloud

1608
00:56:51,200 --> 00:56:53,200
and sound effects from Epidemic Sound,

1609
00:56:53,200 --> 00:56:55,200
Boom Library, and Sound Ideas.

1610
00:56:55,200 --> 00:56:57,200
A huge thank you to our supporting producers

1611
00:56:57,200 --> 00:56:59,200
Gabriel Lynch, Jessica Babyok,

1612
00:56:59,200 --> 00:57:01,200
Cat Waterflame, Jacob Madden,

1613
00:57:01,200 --> 00:57:03,200
Christian Brown, Craig Zeiss,

1614
00:57:03,200 --> 00:57:05,200
Aaron Stevens, Darylith, Perry

1615
00:57:05,200 --> 00:57:07,200
Matey, Old School Gamer D,

1616
00:57:07,200 --> 00:57:09,200
L.A. Branton, Nathaniel Teeter,

1617
00:57:09,200 --> 00:57:11,200
Destiny Garcia, Nicholas Cooper,

1618
00:57:11,200 --> 00:57:13,200
and Ryan Carr. Sign up today

1619
00:57:13,200 --> 00:57:15,200
at Patreon.com slash Dumb Dragon

1620
00:57:15,200 --> 00:57:17,200
Casts for a whole world of perks

1621
00:57:17,200 --> 00:57:19,200
including an exclusive podcast

1622
00:57:19,200 --> 00:57:21,200
and right now through the month of October

1623
00:57:21,200 --> 00:57:23,200
2022 when you sign

1624
00:57:23,200 --> 00:57:25,200
up for an annual membership you'll get

1625
00:57:25,200 --> 00:57:27,200
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1626
00:57:27,200 --> 00:57:29,200
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1627
00:57:29,200 --> 00:57:31,200
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1628
00:57:31,200 --> 00:57:33,200
We hope to see you over there.

1629
00:57:33,200 --> 00:57:35,200
Thank you for listening. Have a great week

1630
00:57:35,200 --> 00:57:37,200
We'll talk again soon.

1631
00:57:39,200 --> 00:57:41,200
Well he comes into

1632
00:57:41,200 --> 00:57:43,200
he goes through the anuses

1633
00:57:43,200 --> 00:57:45,200
and then he drops his

1634
00:57:45,200 --> 00:57:47,200
all the things. Just

1635
00:57:47,200 --> 00:57:49,200
I'm slipping back into hillup.

1636
00:57:49,200 --> 00:57:51,200
Dumbgeons and Dragons is a Dumb Dragons

1637
00:57:51,200 --> 00:57:53,200
production.